Fantasy fiction; Utopian fiction; Utopias -- Fiction
Springing quickly from his bed, he glanced around the room. Again the
song and words, and again he looked, but saw no one. Wondering much at
the occurrence, he proceeded with his toilet.
At 8:45 he was with the President at breakfast, and had been introduced
to Mrs. Craft and her lovely daughter, Mollie.
"Papa says he has taken complete possession of you, Mr. Cobb; and I am
so glad, for I want you to tell me so much about those queer old days
so long ago;" and she gave him a pleasant smile.
"We are delighted, dear Mr. Cobb, to have you with us. You must
consider this your home now, for you have no other, you know;" and good
Mrs. Craft spoke in a motherly tone of voice.
"And, of course, you will want a sister;" Mollie Craft cast her eyes
down in a shy manner.
"Yes," said Mr. Craft, with evident pleasure and hope in his voice.
"We want you to feel that you have not left all your friends in that
distant age. We desire you to consider this your home as long as it
shall please you to do so. My wife and I will endeavor to be a mother
and a father to you; our daughter, a sister; our son, a brother."
Mollie Craft was a lovely girl of nineteen years--tall, dark, and
robust. She was possessed of a clear skin, sparkling eyes, and
beautiful teeth. She was accomplished, and a leader among the young
ladies of her set. Her disposition was frank, kind, and retiring. No
wonder that Cobb's eyes often wandered in her direction during that
breakfast! It seemed to him that he had never before seen so lovely a
face and figure, nor such charming ways as Mollie Craft was mistress
of. Yes, there was one face that held just comparison with that before
him; there was one figure that matched the symmetry of Mollie Craft;
but, alas! she was no more! The queen was dead, but the princess lived!
So passed the thoughts in his mind.
Adjourning to the President's library, for Mr. Craft loved to have
his family about him while he smoked his after-breakfast cigar, the
conversation proceeded with animation, but always with Cobb as the
central figure.
"A Captain in the army, a Colonel up a tree;
Quite soon I'll be a Major, as you can plainly see."
As the words came forth in a free though quiet manner, a young man
entered the door, stopped, and then, bowing, exclaimed:
"Pardon me; I did not know that you had company."
Junius Cobb looked up; then, starting from his seat with a white and
perplexed expression, sprang toward the stranger, who, in astonishment,
drew half back through the door.
"Hugh Craft! How came you here?"
Recovering himself, the man replied, but with embarrassment:
"Well! that's very good, indeed! Asking a man what he is doing in his
own father's house!" and he gave a quiet, undecided laugh.
"Mr. Cobb, my son. Hugh, this is Mr. Junius Cobb; you know who he is,"
with emphasis on the pronoun.
Public-domain text, read in full here on John Shaqi.
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