Nothing is harder to remember than a once-seen face. It had caused
George a good deal of distress and inconvenience that, try as he
might, he could not conjure up anything more than a vague vision of
what the only girl in the world really looked like. He had carried
away with him from their meeting in the cab only a confused
recollection of eyes that shone and a mouth that curved in a smile;
and the brief moment in which he was able to refresh his memory,
when he found her in the lane with Reggie Byng and the broken-down
car, had not been enough to add definiteness. The consequence was
that Maud came upon him now with the stunning effect of beauty seen
for the first time. He gasped. In that dazzling ball-dress, with
the flush of dancing on her cheeks and the light of dancing in her
eyes, she was so much more wonderful than any picture of her which
memory had been able to produce for his inspection that it was as
if he had never seen her before.
Even her brother, Percy, a stern critic where his nearest and
dearest were concerned, had admitted on meeting her in the
drawing-room before dinner that that particular dress suited Maud.
It was a shimmering dream-thing of rose-leaves and moon-beams. That,
at least, was how it struck George; a dressmaker would have found a
longer and less romantic description for it. But that does not
matter. Whoever wishes for a cold and technical catalogue of the
stuffs which went to make up the picture that deprived George of
speech may consult the files of the Belpher Intelligencer and
Farmers' Guide, and read the report of the editor's wife, who
"does" the dresses for the Intelligencer under the pen-name of
"Birdie Bright-Eye". As far as George was concerned, the thing was
made of rose-leaves and moon-beams.
George, as I say, was deprived of speech. That any girl could
possibly look so beautiful was enough to paralyse his faculties;
but that this ethereal being straight from Fairyland could have
stooped to love him--him--an earthy brute who wore sock-suspenders
and drank coffee for breakfast . . . that was what robbed George of
the power to articulate. He could do nothing but look at her.
From the Hills of Fairyland soft music came. Or, if we must be
exact, Maud spoke.
"I couldn't get away before!" Then she stopped short and darted to
the door listening. "Was that somebody coming? I had to cut a
dance with Mr. Plummer to get here, and I'm so afraid he may. . ."
He had. A moment later it was only too evident that this was
precisely what Mr. Plummer had done. There was a footstep on the
stairs, a heavy footstep this time, and from outside the voice of
the pursuer made itself heard.
"Oh, there you are, Lady Maud! I was looking for you. This is our
dance."
Public-domain text, read in full here on John Shaqi.
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