The good man signed the papers with the innocence of a child who does
what his mother orders without question, so sure is he that all is
right. He was thinking much more of presenting the cat to the countess
than of the papers by which his liberty might be, according to the laws
relating to foreigners, forever sacrificed.
“You assure me that these little papers with the stamps on them--”
“Don’t be in the least uneasy,” said the countess.
“I am not uneasy,” he said, hastily. “I only meant to ask if these
little papers will give pleasure to Madame du Tillet.”
“Oh, yes,” she said, “you are doing her a service, as if you were her
father.”
“I am happy, indeed, to be of any good to her--Come and listen to my
music!” and leaving the papers on the table, he jumped to his piano.
The hands of this angel ran along the yellowing keys, his glance was
rising to heaven, regardless of the roof; already the air of some
blessed climate permeated the room and the soul of the old musician; but
the countess did not allow the artless interpreter of things celestial
to make the strings and the worn wood speak, like Raffaelle’s Saint
Cecilia, to the listening angels. She quickly slipped the notes into her
muff and recalled her radiant master from the ethereal spheres to which
he soared, by laying her hand upon his shoulder.
“My good Schmucke--” she said.
“Going already?” he cried. “Ah! why did you come?”
He did not murmur, but he sat up like a faithful dog who listens to his
mistress.
“My good Schmucke,” she repeated, “this is a matter of life and death;
minutes can save tears, perhaps blood.”
“Always the same!” he said. “Go, angel! dry the tears of others. Your
poor Schmucke thinks more of your visit than of your gifts.”
“But we must see each other often,” she said. “You must come and dine
and play to me every Sunday, or we shall quarrel. Remember, I shall
expect you next Sunday.”
“Really and truly?”
“Yes, I entreat you; and my sister will want you, too, for another day.”
“Then my happiness will be complete,” he said; “for I only see you now
in the Champs Elysees as you pass in your carriage, and that is very
seldom.”
This thought dried the tears in his eyes as he gave his arm to his
beautiful pupil, who felt the old man’s heart beat violently.
“You think of us?” she said.
“Always as I eat my food,” he answered,--“as my benefactresses; but
chiefly as the first young girls worthy of love whom I ever knew.”
So respectful, faithful, and religious a solemnity was in this speech
that the countess dared say no more. That smoky chamber, full of dirt
and rubbish, was the temple of the two divinities.
“There we are loved--and truly loved,” she thought.
Public-domain text, read in full here on John Shaqi.
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