New England -- Social life and customs -- Fiction; Villages -- Fiction; Young women -- Fiction
Mr. Bygood was the only gentleman who went upstairs, but the Chanters
and several other parties of ladies rustled up to the Red Indian room
and were passed in review by the invalid Arbitress. Last of all came
Kitty herself; first rosy and breathless, in fur coat and cap, to summon
Miss Johanna's last caller; then, half an hour later, still rosy, but
calm and demure, to show herself to her aunt. I was with her, in what
male writers call "something white and filmy"; I called it chiffon; Miss
Johanna had forbidden filminess for Kitty.
"When you've got lines, show 'em!" was her dictum. How different from
Miss Egeria, who was always troubled if one sat down without shaking out
one's skirts thoroughly. "My dear!" she would whisper. "You show your
shape!"
Kitty had rummaged the ancestral trunks in the attic and had found a
thick, heavy pale green satin, over which Miss Johanna had waved the
scissors of a necromancer, Miss Anne Peace, as her attendant sprite
(dear, meek little brown sprite! she was at Madam Flynt's, too, "taking
off" for the ladies upstairs), translating her magic into terms of
needle and thread. The soft gleaming fabric clung round as lovely a
figure, I thought, as ever entered a ballroom. There was just enough
lace at the neck, not an inch too much: wonderful Rose Point. The
Bygoods were not the only people who had lace, Miss Johanna said with a
friendly sniff: and there was the Beryl Necklace, for which, the same
lady pointed out, the satin had probably been woven and dyed. Certainly
they were an astonishing match, and anything more beautiful than the
combination of necklace and gown and Kitty cannot possibly be imagined.
This is not just my enthusiasm--everybody said the same thing--except
Miss Johanna; but her nod, and "H'm! you'll do!" was fully as emphatic.
So we went to the Party; our Party, given for us! two proud and happy
girls.
Madam Flynt's spacious double parlors looked more ample than usual from
the removal of most of the furniture. The tables were gone, the big
sofa, all the armchairs except Madam Flynt's own; the Sheraton chairs
shrugging their shoulders against the wall took up little room. The
Turkey carpet was up, the polished floor gleamed in the light of
numberless wax candles. Madam Flynt sat at the upper end of the long
room, stately and handsome in lilac brocade with cascades of creamy
Venetian Point. (I seem to be saying a great deal about lace: I can't
help it: it is one of the pleasantest things I know!) Kitty and I stood
by her, one on either side; Miss Croly, her purple alpaca exchanged for
a silk of the same hue, hovered in the background, beaming welcome on
the guests, but casting an occasional anxious glance at her friend and
patroness. On her arm she carried a white Canton crape shawl, heavily
embroidered, with long fringe. Occasionally she would bend over Madam
Flynt and murmur something, with a gesture toward the shawl, but the
hostess seemed unaware of her existence.
Public-domain text, read in full here on John Shaqi.
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