New England -- Social life and customs -- Fiction; Villages -- Fiction; Young women -- Fiction
"Jerusalem!
_A. B. C._ in sudden trio. "Great Scott! _Who is that_
"By George!
_ripping_
_perfectly stunning girl in green?_ I say, Bobs! Bags!
_screaming_
Pipes! CHANTER! Won't you introduce me? Oh, I _say_, Bobby! I'm your
friend! Don't go back on me!" etc., etc. Thus Corona in frantic
whispers, plucking at Bobby Chanter, who swelled in serene pride, and
was entirely kind to his friends, knowing Kitty's next dance to be his.
Kitty was kind to them too, and gave them an "extra" when she could, but
mostly had to meet their impassioned pleadings with a smile and "So
sorry! I am engaged, but do let me find you a partner!"
The collegians were nice, gentlemanly boys; we all had a delightful
time, and I truly think they did. But here I may note a curious little
by-product of the Party. For weeks after, Corona College had much
business to transact in Cyrus. It came by train, one by one, and was
observed to look eagerly about it on arrival, and to make hurried
inquiry for a cab. Confronted by John Tucker, serenely yet critically
observant, it suddenly decided it would walk, and proceeded to stroll
about the village, investigating the shops and making aimless purchases,
till the return train. Corona rarely met Kitty; the between-trains hour
was just when she was taking Madam Flynt for her airing. Now and then,
however, say on a rainy day, some happy youth would chance upon her, and
walk home with her, and perhaps be asked in for a cup of tea, and return
to Corona in a state of rapturous distraction very trying to his mates
who had been dutifully practising football.
But here is a long digression: let us hurry back to the Party.
Among the revolving couples, none attracted more attention than Miss
Almeria and Mr. Jordano, already mentioned. They danced the Boston Dip,
seldom seen in these degenerate days. It is a slow, graceful waltz, very
becoming to tall figures and sweeping velvet skirts. Mr. Jordano held
his chin high; his eyes were nearly closed, a narrow slit only enabling
him to pilot his partner safely through the dance; his expression, which
totally belied him, was one of haughty arrogance. His lips moved
constantly; one would have supposed he was murmuring caustic comments on
the other dancers; instead, he was saying, "One, two, three, _one_, two,
three!" in time, if not in tune, with the music. Miss Almeria's glossy
braids bent gracefully over her partner's shoulder: her look was benign;
she wore a slight, indulgent smile, as who should say, "Dancing is not
what it was, but perhaps it is well for people to see occasionally what
it can be."
Public-domain text, read in full here on John Shaqi.
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