Authors, American -- 19th century -- Biography; Authors, American -- 20th century -- Biography; Garland, Hamlin, 1860-1940
After putting him on the train next day I opened my desk in my quiet
room on Elm Street, with a feeling of being half-in and half-out of the
state of matrimony. In some ways I liked being alone. A greater power of
concentration resulted. With no disturbing household influences, no
distracting interests, I wrote all the morning, but at night, when my
work was done, my mind went out toward my young wife. To have her moving
about the room would have been pleasant. To walk with her to the studio
would have been a joy. As a novelist, I bitterly resented all the minute
domestic worries, but as a human being I rejoiced in my new
relationship. "Can I combine the two activities? Will being a husband
and a householder cramp and defeat me as a novelist?"
These questions every writer who is ambitious to excel, must answer for
himself. So far as I was concerned, the decision had been made. Having
elected myself into the ranks of those who were carrying forward the
immemorial traditions of the race, there was no turning back for me. I
ended the week by going out to Eagle's Nest Camp, where Zulime met me to
renew the delight of our days of courtship.
Even here, I did not neglect my task. Wallace Heckman gave me a desk in
the attic and there each morning I hammered away, eager to get my
material "roughed out" while it was hot in my memory. I often wrote
four thousand words between breakfast and luncheon. One story took shape
as a brief prose epic of the Sioux, a special pleading from the
standpoint of a young educated red man, to whom Sitting Bull was a kind
of Themistocles. Though based on accurate information, I intended it to
be not so much a history as an interpretation. It interested me at the
time and so--I wasted a week!
Life at camp was very pleasant, but as my brother wrote me that he must
return to New York I felt it my duty to go home and see that my mother
"attended" the County Fair, which was a most important event to her.
"Mother's life retains so few interests," I explained to Zulime, "that
to miss the Fair would be to her a great deprivation. You can stay here
but I must go home and take her down to the old settlers' picnic in
Floral Hall."
Zulime understood. Loyally cutting short her pleasant companionship with
her fellow artists she returned with me to West Salem a few days before
the fair opened.
Public-domain text, read in full here on John Shaqi.
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