Authors, American -- 19th century -- Biography; Authors, American -- 20th century -- Biography; Garland, Hamlin, 1860-1940
Evidence of my literary success, if you look at it that way, may have
lain in an invitation to dine at Andrew Carnegie's, but a suspicion that
I was being patronized made me hesitate. It was only after I learned
that Burroughs and Gilder were going that I decided to accept, although
I could not see why the ironmaster should include me in his list. I had
never met him and was not eager for his recognition.
The guests (nearly all known to me) were most distinguished and it was
pleasant to meet with them, even in this palace. We marched into the
dining-room keeping step to the music of a bagpipe. The speaking which
followed the dinner was admirable. Hamilton Wright Mabie and John Finley
were especially adroit and graceful, and Carnegie, who had been
furnished with elaborate notes by his secretary, introduced his speakers
with tact and humor, although it was evident that in some cases he would
have been helpless without his literary furnishing--to which in my case
he referred with especial care.
He was an amazement to me. I could not imagine him in the role of "Iron
King," on the contrary he appeared more like a genial Scotch
school-master, one genuinely interested in learning. Had it not been for
his air of labored appreciation, and the glamour of his enormous wealth,
the dinner would have been wholly enjoyable.
One charming human touch saved the situation. The tablecloth (a
magnificent piece of linen) was worked here and there with silken
reproductions of the signatures of former distinguished guests. "Mrs.
Carnegie," our host explained, "works these signatures into the cloth
with her own hands." Each of us was given a soft pencil and requested to
add his name.
It happened that Gilder, Seton, Burroughs and myself went away together,
and the doorman showed a mild surprise in the fact that no carriage
awaited us. Gilder with comic intonation said, "Some of you fellows
ought to have saved this situation by ordering a cab."
"As the only man with a stovepipe hat the job was yours," I retorted.
This struck the rest of the party as funny. In truth, each of us except
Gilder wore some sort of soft hat, and all together we formed a sinister
group. "I don't care what _Andrew_ thinks of us," Gilder explained, "but
I hate to have his butler get such a low conception of American
authorship." On this point we all agreed--and took the Madison Avenue
street car.
Meanwhile, I was secretly dreaming of getting rich myself.
Every American, with a dollar to spare, at some time in his life takes a
shot at a gold mine. It comes early in some lives and late in others,
but it comes! In my case it came after the publication of _Hesper_ just
as I was verging on forty-five, and was the result of my brother's
connections in Mexico. Impatient of getting money by growing trees he
had resigned his position on a rubber farm and was digging gold in
Northern Mexico.
Public-domain text, read in full here on John Shaqi.
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