Authors, American -- 19th century -- Biography; Authors, American -- 20th century -- Biography; Garland, Hamlin, 1860-1940
That the destruction of the eagle and the mountain lion marked another
stage of that remorseless march which is called civilization I fully
recognized and--in a certain sense--approved, although the raising of
billions of hens and pigs admittedly useful, was not to me an inspiring
employment of human energy. The long-horn white-faced steer was more
picturesque than a "Mooly" cow.
Doubtless a dairyman is a more valuable citizen in the long run than a
prospector or miner, but he does not so easily appeal to the
imagination. To wade irrigating ditches, hoe in hand, is not
incompatible with the noblest manhood, but it is none the less true that
men riding the trail or exploring ledges of quartz are more alluring
characters to the novelist--at least that was the way I felt in 1909
when I began to shape another book concerning the great drama which was
going on in the forests of the High Country.
For more than fifteen years, while trailing among the mountains of
Colorado, Montana and Wyoming, I had seen the Forest Service, under
Gifford Pinchot's leadership, gradually getting into effect. I had seen
the silver miner disappear and the army of forest rangers grow from a
handful of hardy cowboys and "lonesome men" into a disciplined force of
over two thousand young foresters who represented in some degree the
science and the patriotism of their chief.
As in _Hesper_ and _The Captain of the Gray Horse Troop_ I had attempted
to depict certain types of the red men, miners and ranchers. I now began
to study the mountain vedettes from the point of view of the Forest
Ranger, a federal officer who represented our newly acquired ideals of
Conservation, and whose duty it was to act as custodian of the National
Forests. I decided to write a novel which should, in some degree,
delineate the heroic side of this warden's solitary life as I had seen
it and shared it in a half-dozen forests in Colorado, Wyoming and
Montana.
In this writing I put myself at the opposite pole from the scenes of
_The Shadow World_, a study of psychic phenomena with which I had been
deeply involved for a year or more. From dark cabinets in murky seance
chambers, from contact with morbid, death-fearing, light-avoiding
residents of crowded apartments, I now found myself riding once again
ten thousand feet above sea level with men who "took chances" almost
every hour of their lives--not from any reckless defiance of death but
merely by way of duty, men who lived alone and rode alone, men in whose
ears the mountain streams as they fell from the white silences of the
snows, uttered songs of exultation. In the presence of these hardy
trailers the doings of darkened seance rooms seemed morbid, if not
actually insane.
Public-domain text, read in full here on John Shaqi.
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