Authors, American -- 19th century -- Biography; Authors, American -- 20th century -- Biography; Garland, Hamlin, 1860-1940
There was no resisting this appeal. With a profound sense of what Zulime
and the children meant to him, I gave up all thought of going East and
settled back into my groove. "We will remain where we are so long as
father lives," I declared to my friends.
My wife, who had perceived with alarm my growing discontent with
Chicago, was greatly relieved by this decision. To her the thought of
migration even to the North Side was disturbing, for it would break her
close connection with the circle whose center was in her brother's
studio. I am not seeking to excuse my recreancy to The Middle West; I am
merely stating it as a phase of literary history, for my case is
undoubtedly typical of many other writers who turned their faces
eastward.
The plain truth is I had reached an age where I no longer cared to
pioneer even in a literary sense. Desirous of the acceptances proper to
a writer with gray hair and a string of creditable books, I wished to go
where honor waited. I craved a place as a man of letters. That my powers
were deteriorating in the well-worn rut of my life in Woodlawn I knew
too well, and my need of contact with my fellow craftsmen in the East
sharpened. The support and inspiration which come naturally to authors
in contact with their kind were being denied me. Age was bringing me no
"harvest home." In short, at the very time when I should have been most
honored, most recompensed, in my work, I found myself living meanly in a
mean street and going about like a man of mean concerns, having little
influence on my art or among my fellows.
That Chicago was still on the border in a literary sense was sharply
emphasized when the National Institute of Arts and Letters decided
(after much debate), to hold its Annual Meeting for 1913 in the midland
metropolis. "It is a long way out to Chicago," its Secretary wrote,
"and I don't know how many members we can assemble, but I think we shall
be able to bring twenty-five at least. You have been appointed chairman
of the Committee of Arrangements, with full powers to go ahead."
The honor and responsibility of this appointment spurred me to action. I
decided to accept and make the meeting a literary milestone in western
history. My first thought was to make the Cliff Dwellers' Club the host
of the occasion, but on further consideration, I reckoned that the
City's welcome would have greater weight if all its literary and
artistic forces could be in some way combined. To bring this about I
directed letters to the heads of seventeen clubs and educational
organizations, asking them to meet with me and form a joint Reception
Committee.
Public-domain text, read in full here on John Shaqi.
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