Outwardly serene, without a trace of bitterness in his voice, he spoke of his growing weakness. "Oh, the old machine is wearing out, that's all." Aware of his decline he accepted it as something in the natural course of human life and was content. Several of his comrades had dropped away during the winter and he was aware that all of his generation were nearing their end. "There's only one more migration left for us," he said composedly, yet with a note of regret. Not on the strength of any particular religious creed but by reason of a manly faith in the universe he faced death. He was a kind of primitive warrior, who, having lived honorably, was prepared to meet what was to come. "I've no complaint to make," he said, "I've had a long life and on the whole a happy life. I'm ready for the bugle." This was the faith of a pathfinder, a philosophy born of the open spaces, courage generated by the sun and the wind. "I find it hard to keep warm on dark days," he explained. "I guess my old heart is getting tired," and as he spoke I thought of the strain which that brave heart had undergone in its eighty years of action, on the battlefield, along the river, in the logging camps, and throughout all the stern, unceasing years of labor on the farm. His tireless energy and his indomitable spirit came back, filling my mind with pictures of his swift and graceful use of axe and scythe, and when I spoke of the early days, he found it difficult to reply--they were so beautiful in retrospect. The next day was Sunday, and Sunday afternoon was for him a period of musing, an hour of dream, and as night began to fall he turned to me and with familiar accent called out, "Come, Hamlin, sing some of the songs your mother used to love," and I complied, although I could play but a crude accompaniment to my voice. First of all I sang "Rise and Shine" and "The Sweet Story of Old" in acknowledgment of the Sabbath, then passed to "The Old Musician and His Harp," ending with "When You and I Were Young, Maggie," in which I discerned a darker significance--a deeper pathos than ever before. It had now a personal, poignant application. Tears misted his eyes as I uttered the line, "But now we are aged and gray, Maggie, the trials of life are nearly done," and at the close he was silent with emotion. He, too, was aged and gray, his trials of life nearly done, and the one who had been his solace and his stay had passed beyond recall. To me, came the insistent thought, "Soon he must go to join Mother in the little plot under the pines beyond Neshonoc." In spite of my philosophy, I imagined their reunion somehow, somewhere. Tender and sweet were the scenes which the words of my songs evoked--pictures which had nothing to do with the music except by association, forms and faces of far-off days, of Dry Run Prairie and its neighbors, and of the still farther and dimmer and more magical experiences of Green's Coulee, before the call to war.