Authors, American -- 19th century -- Biography; Authors, American -- 20th century -- Biography; Garland, Hamlin, 1860-1940
The railway enters the Ouray amphitheater from the west and stops--for
the very good reason that it can go no farther!--but from the railway
station a stage road climbs the precipitous eastern wall and leads on to
Red Mountain, as through an Alpine pass. Over this divide I now planned
to drive to Silverton, and thence to Durango by way of Las Animas Canon.
Zulime, with an unquestioning faith in me--a faith which I now think of
with wonder--agreed to this crazy plan. Her ignorance of the cold, the
danger involved, made her girlishly eager to set forth. She was like a
child in her reliance on my sagacity and skill.
We left Ouray, at eight of a bitter morning, in a rude sleigh with only
a couple of cotton quilts to defend us from the cold, and when, after a
long climb up a wall of stupendous cliffs with roaring streams shouting
from their icy beds upon our right, we entered an aisle of frosty pines
edging an enormous ledge, where frozen rills hung in motionless
cascades, Zulime, enraptured by the radiant avenues which opened out at
every turn of our icy upward trail, became blind to all danger. The
flaming, golden light flinging violet shadows, vivid as stains of ink
along the crusted slopes, dazzled her, caused her to forget the icy wind
or, at any rate, to patiently endure it.
At Red Mountain, a mournful, half-buried, deserted mining town, we left
our sleigh and stumbled into the dingy little railway station, so
chilled, so cramped, that we could scarcely walk, and yet we did not
regret our ride. However, we were glad of the warmth of the dirty little
coach into which we climbed a few minutes later. It seemed delightfully
safe to Zulime, and I was careful not to let her know that from this
town the train descended of its own weight all the way to Silverton!
Fortunately, nothing happened, and at Silverton we changed to a real
train, with a real engine, and as we dropped into Las Animas Canon we
left December behind. At six o'clock we emerged from the canon at
Durango into genial September--or so it seemed after our day of
midwinter in the heights. Next day we returned to Colorado Springs.
Our stay in the mountains was at an end, but the memory of those
burnished domes, those dark-hued forests, and the sound of those foaming
streams, remain with us to this day.--All the way down the long slope to
the Mississippi River, we reverted to this "circuit," recalling its most
impressive moments, its noblest vistas. It had been for my bride a
procession of wonders, a colossal pageant--to me it was a double
satisfaction because of her delight. With a feeling that I had in some
degree atoned for my parsimony in the matter of an engagement ring and
for the drab prose of our marriage ceremony, I brought the first half of
our wedding journey to a close in Chicago.
I now looked forward to the meeting between my mother and her new
daughter. This was, after all, the important part of my venture. Would
my humble home content my artist bride?
Public-domain text, read in full here on John Shaqi.
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