The other girl looked at her uncertainly. "I have felt
it sometimes," she said, "but now it seems to me that I
can never be sure that there is not some qualification
in it--some hidden flaw."
"Don't you think it's worth making the best of? Can't we
make up our minds to have a little charity for the flaws?"
Elfrida shook her head. "I don't think I'm capable of a
friendship that demands charity," she said.
"And yet, whether we close each other's lips or not, we
will always have things to say, the one to the other, in
this world. Is it to be dumbness between us?"
There was a moment's silence in the room--a crucial
moment, it seemed to both of them. Elfrida sat against
the table with her elbows among its litter of paged
manuscript, her face hidden in her hands. Janet rose and
took a step or two toward her. Then she paused, and looked
at the little bronze image on the table instead. Elfrida
was suddenly shaken by deep, indrawn, silent sobs.
"It is finished, then," Janet said softly; "we are to
separate for always, Buddha, she and I. She will not know
any more of me nor I of her--it will be, so far as we
can make it, like the grave. You must belong to a strange
world, Buddha, always to smile!" She spoke evenly quietly,
with, restraint, and still she did not look at the
convulsively silent figure in the chair. "But I am glad
you will always keep that face for her, Buddha. I hope
the world will, too, our world that is sometimes more
bitter than you can understand. And I say good-by to you,
for to her I cannot say it." And she turned to go.
Elfrida stumbled to her feet and hurried to the door.
"No!" she said, holding it fast. "No! You must not go
that way--I owe you too much, after all. We will--we will
make the best of it."
"Not on that ground," Janet answered gravely. "Neither
your friendship nor mine is purchasable, I hope."
"No, no! That was bad. On any ground you like. Only stay
a little--let us find ourselves again!"
Elfrida forced a smile into what she said, and Janet let
herself be drawn back to a chair.
Public-domain text, read in full here on John Shaqi.
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