192. The Use of Color upon Athenian Architecture and Sculptures.—While we look upward at this group of temples and their wealth of sculptures, let us state now something we have noticed during all our walks around Athens, but have hitherto left without comment. Every temple and statue in Athens is not left in its bare white marble, as later ages will conceive is demanded by “Greek Architecture” and statuary, but is decked in brilliant color—“painted,” if you will use an almost unfriendly word. The columns and gables and ceilings of the buildings are all painted. Blue, red, green, and gold blaze on all the members and ornaments. The backgrounds of the pediments, metopes, and frieze are tinted some uniform color on which the sculptured figures in relief stand out clearly. The figures themselves are tinted or painted, at least on the hair, lips, and eyes. Flesh-colored warriors are fighting upon a bright red background. The armor and horse trappings on the sculptures are in actual bronze. The result is an effect indescribably vivid. Blues and reds predominate: the flush of light and color from the still more brilliant heavens above adds to the effect. Shall we call it garish? We have learned to know the taste of Athenians too well to doubt their judgment in matters of pure beauty. And they are right. _Under an Athenian sky_ temples and statues demand a wealth of color which in a somber clime would seem intolerable. The brilliant lines of the Acropolis buildings are the just answer of the Athenian to the brilliancy of Helios.