A Day in Old Athens; a Picture of Athenian LifeDavis, William Stearns
History
A Day in Old Athens; a Picture of Athenian Life
Davis, William Stearns
Athens (Greece) -- Social life and customs
[Illustration: Comic Actors dressed as Ostriches]
204. The production of a Play.—The crowds are hushed and expectant.
The herald, ere the play begins, proclaims the award of a golden crown
to some civic benefactor: a moment of ineffable joy to the recipient;
for when is a true Greek happier than when held up for public
glorification? Then comes the summons to the first competing poet.
“Lead on your chorus.”[*] The intellectual feast of the Dionysia has
begun.
[*] In the fourth century B.C. when the creation of original tragedies
was in decline, a considerable part of the Dionysia productions seem to
have been devoted to the works of the earlier masters, Æschylus,
Sophocles, and Euripides.
To analyze the Attic drama is the task of the philosopher and the
literary expert. We observe only the superficialities. There are
never more than _three_ speaking actors before the audience at once.
They wear huge masques, shaped to fit their parts. The wide
mouthpieces make the trained elocution carry to the most remote parts
of the theater. The actors wear long trailing robes and are mounted on
high shoes to give them sufficient stature before the distant audience.
When a new part is needed in the play, an actor retires to the booth,
and soon comes forth with a changed masque and costume—an entirely new
character. In such a costume and masque, play of feature and easy
gesture is impossible; but the actors carry themselves with a stately
dignity and recite their often ponderous lines with a grace which
redeems them from all bombast. An essential part of the play is the
chorus; indeed the chorus was once the main feature of the drama, the
actors insignificant innovations. With fifteen members for the
tragedy, twenty-four for the comedy,[*] old men of Thebes, Trojan
dames, Athenian charcoal burners, as the case may demand—they
sympathize with the hard-pressed hero, sing lusty choral odes, and
occupy the time with song and dance while the actors are changing
costume.
[*] In the “Middle” and “Later” comedy, so called, the chorus entirely
disappears. The actors do everything.
[Illustration: Actor in Costume as a Fury]
Public-domain text, read in full here on John Shaqi.
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