I almost bounded on my chair with passion. How was I, I would ask, to
maintain any portion of that dignity with which I ought to surround
myself if exposed to such demands as this? This absurd old woman would
tear off every illusion in which I draped myself. What availed all the
romance a rich fancy could conjure up, when that wicked old enchantress
called me to her presence, and in a voice of thunder said, “Strip off
these masqueradings, Potts, I know the whole story.” “Ay, but,” thought
I, “she cannot do so; of me and my antecedents she knows positively
nothing.” “Halt there!” interposes Conscience; “it is quite enough to
pronounce the coin base, without being able to say at what mint it was
fabricated. She knows you, Potts, she knows you.”
There is one great evil in castle-building, and I have thought very long
and anxiously, and I must own fruitlessly, over how to meet it: it is
that one never can get a lease of the ground to build on. One is always
like an Irish cottier, a tenant at will, likely to be turned out at a
moment's notice, and dispossessed without pity or compassion. The same
language applies to each: “You know well, my good fellow, you had no
right to be there; pack up and be off!” It's no use saying that it was
a bit of waste land unfenced and untilled; that, until you took it in
hand, it was overgrown with nettles and duckweed; that you dispossessed
no one, and such like. The answer is still the same, “Where's your
title? Where's your lease?”
Now, I am curious to hear what injury I was inflicting on that old woman
at No. 12 by any self-deceptions of mine? Could the most exaggerated
estimate I might form of myself, my present, or my future, in any degree
affect _her?_ Who constituted her a sort of ambulatory conscience, to
call people's hearts to account at a moment's notice? It may be seen
by the tone of these reflections, that I was fully impressed with the
belief through some channel, or by some clew, Mrs. Keats knew all my
history, and intended to use her knowledge tyrannically over me.
Oh that I could only retaliate! Oh that I had only the veriest fragment
of her past life, out of which to construct her whole story! Just as out
of a mastodon's molar, Cuvier used to build up the whole monster, never
omitting a rib, nor forgetting a vertebra! How I should like to say to
her, and with a most significant sigh, “I knew poor Keats well!” Could
I not make even these simple words convey a world of accusation, blended
with sorrow and regret?
François again, and on the same errand. “Say I am coming; that I have
only finished a hasty breakfast, and that I am coming this instant,”
cried I. Nor was it very easy for me to repress the more impatient
expressions which struggled for utterance, particularly as I saw, or
fancied I saw, the fellow pass his hand over his mouth to hide a grin at
my expense.
“Is Miss Herbert upstairs?”
“No, sir, she is in the garden.”
Public-domain text, read in full here on John Shaqi.
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