I could not but smile at the poor jailer's simplicity, and would
willingly have explained to him that we have outlived the age of
Cinderella. Indeed, I had half turned towards him with this object, when
a perfect roar of the crowd beneath me drew off my attention from him
to what was going on below. I soon saw what it was that entranced the
public: it was the young girl, who now, standing on Blondel's back, was
careering round the circle at full speed. It is an exercise in which
neither the horse nor the rider is seen to advantage; the heavy
monotonous tramp of the beast, cramped by the narrow limits, becomes a
stilty, wooden gallop. The rider, too, more careful of her balance than
intent upon graceful action, restricts herself to a few, and by no means
picturesque attitudes. With all this, the girl now before me seemed
herself so intensely to enter into the enjoyment of the scene, that all
her gestures sprang out of a sort of irrepressible delight. Far from
unsteadying her foot, or limiting her action, the speed of the horse
appeared to assist the changeful bendings of her graceful figure, as
now, dropping on one knee, she would lean over to caress him, or now,
standing erect, with folded arms and leg advanced, appeared to dare him
to displace her. Faultlessly graceful as she was, there was that in her
own evident enjoyment that imparted a strange delight to the beholder,
and gave to the spectacle the sort of magnetism by which pleasure finds
its way from heart to heart throughout a multitude. At least, I suppose
this must have been so, for in the joyous cheering of that crowd there
was a ring of wild delight far different from mere applause.
At last, poor Blondel, blown and wearied, turned abruptly into the
middle of the ring, and with panting sides and shaking tail came to a
dead halt. The girl, with a graceful slide seated herself on his back
and patted him playfully. And to me this was by far the most graceful
movement of the whole.
Public-domain text, read in full here on John Shaqi.
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