[Sidenote: CHURCH HOPES.] The date of this journey was probably about the end of 1537. The society of the Eternal City, especially of that particular section of it which made the the world of Vittoria, was in a happy and hopeful mood. The excellent Contarini had not yet departed[194] thence on his mission of conciliation to the Conference, which had been arranged with the Protestant leaders at Ratisbon. The brightest and most cheering hopes were based on a total misconception of the nature, or rather on an entire ignorance of the existence of that under current of social change, which, to the north of the Alps, made the reformatory movement something infinitely greater, more fruitful of vast results, and more inevitable, than any scholastic dispute on points of theologic doctrine. And at the time of Vittoria's arrival, that little band of pure, amiable, and high-minded, but not large-minded men, who fondly hoped that, by the amendment of some practical abuses, and a mutually forbearing give-and-take arrangement of some nice questions of metaphysical theology, peace on earth and good-will among men, might be yet made compatible with the undiminished pretensions and theory of an universal and infallible Church, were still lapped in the happiness of their day-dream. Of this knot of excellent men, which comprised all that was best, most amiable, and most learned in Italy, Vittoria was the disciple, the friend, and the inspired Muse. The short examination of her religious poetry, therefore, which will be the subject of the next chapter, will not only open to us the deepest and most earnest part of her own mind, but will, in a measure, illustrate the extent and nature of the Protestantising tendencies then manifesting themselves in Italy. CHAPTER VII. Oratory of Divine Love.—Italian reformers.—Their tenets.—Consequence of the doctrine of justification by faith.—Fear of schism in Italy.—Orthodoxy of Vittoria questioned.—Proofs of her Protestantism from her writings.—Calvinism of her sonnets.—Remarkable passage against auricular confession.—Controversial and religious sonnets.—Absence from the sonnets of moral topics.—Specimen of her poetical power.—Romanist ideas.—Absence from the sonnets of all patriotic feeling.