A Decade of Italian Women, vol. 1 (of 2)Trollope, Thomas Adolphus
History
A Decade of Italian Women, vol. 1 (of 2)
Trollope, Thomas Adolphus
Italy -- Biography; Women -- Biography
Girolamo also did his best to make his entry as imposing as possible;
and came attended on his journey by a party of the first nobles in
Rome. It is very curious, and strikingly indicative of the degree to
which Papal splendour outshone all other splendour in the old capital
of the world, and Papal favour lifted the objects of it, be they what
they might, far above all other grandeurs and greatnesses, however
proud, during the brief period of a Pope's incumbency, to find this
low-born kinsman of a mendicant friar attended on his journey by a
Colonna,[92] two princes of the Orsini, one of the great Savelli
family, and others of the oldest patrician families of Rome.
Inside the city every sort of revelry prevailed for three days. In the
principal square of Forlì, admirably adapted, say the Forlì writers,
for such purposes, from its handsome regularity and ample size, a
tournament was held, in which the Roman princes condescended to run
a course; and then a vast wooden castle, constructed in the middle
of the square for this purpose, was besieged and defended by two
parties of the townsfolk, with a reward from the Count to the first
of the besieging party who should enter it; a distinction cheaply won
by a Forlì youth, at the cost of an eye poked out by the zeal of the
defenders.
Then there was a magnificent ball, in which the Count and Countess led
off the dance, followed first by the Roman guests, and then by all the
"beau monde" of Forlì. The chronicler, Leon Cobelli, who is recorded
to have been also a painter, musician, and ballet-master, was there
playing on his rebeck at the Count's elbow; and winds up his account of
the festival by saying that he had never seen such a ball, and never
should again in his days.
There were, of course, triumphal arches, allegorical paintings, cunning
carpentry devices moving by unseen means, eating, drinking, and
speechifying, in prose and verse, to a wonderful extent. "And charming
it was to see the Lady Countess and all her damsels come forth in
different magnificent dresses every day for a whole week, and the great
buffets, ten feet high, in the banqueting hall of the palace, loaded
every day with a fresh service of silver and gold."[93] Every room in
the palace, too, was hung with tapestry, "however large, and however
irregular in form."
[Sidenote: NEW BROOMS SWEEP CLEAN.]
Public-domain text, read in full here on John Shaqi.
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