"Deo Inmortali Sacrum et virtuti ac memoriæ Olympiæ Moratæ, Fulvii Morati Mantuani viri doctissimi, filiæ, Andreæ Grünthleri medici conjugis; lectissimæ feminæ, cujus ingenium ac singularis utriusque linguæ cognitio, in moribus autem probitas, summumque pietatis studium, supra communem modum semper existimata sunt. Quod de ejus vita hominum judicium, beata mors sanctissime ac pacatissime ab ea obita, divino quoque confirmavit testimonio. Obiit, mutato solo, a salute DLV supra mille, suæ ætatis XXIX. Hic cum marito et Emilio fratre sepulta." The citizens of Schweinfurth resolved that the house Olympia had inhabited among them should be rebuilt at the public cost, and marked out to the respect of future generations by an inscription commemorative of her having dwelt on that spot. The inscription is indicative of the high esteem of the worthy burghers for their celebrated fellow–citizen, rather than of any æsthetic appreciation of her productions. For the hexameters and pentameters into which Schweinfurth has painfully packed its sentiments, are of a kind to make the classical ghost of Olympia shudder, if that erudite and gentle spirit may be supposed to have cognisance of them. [Sidenote: HER HIGH REPUTE.] Olympia Morata had in the course of this short life acquired a high European reputation. The loving care of Celio Curione, the editor of her works, has collected and appended to them, after the fashion of that day, an abundant selection of the "favourable notices" of her learned contemporaries. And M. Bonnet has gathered some further testimonies to the same effect. Many pages might be filled with the laudatory sayings of these high authorities. But it will probably be thought sufficient to state that the "eruditorum testimonia" do certainly prove that Olympia was very highly esteemed by the contemporary literary world of Europe. The most compendious and undeniable evidence of this may be found moreover in the fact, that four editions of her works were printed within twenty–five years after her death.[134]