A Decade of Italian Women, vol. 2 (of 2)Trollope, Thomas Adolphus
History
A Decade of Italian Women, vol. 2 (of 2)
Trollope, Thomas Adolphus
Italy -- Biography; Women -- Biography
Her mother in the meantime had given her a dose of "Theriaca," that
time–honoured Venetian medicine, which was then celebrated all over
Europe. It is a very thick oily substance, compounded of some fifty
different ingredients, the receipt for which is said, with much
probability, to have been brought from the East by the Venetians at
a very early period. It was a specific adapted to the then state of
medical science, no doubt. But it is a curious fact worth noticing,
that this "triaca" as the Lombards call it, is still manufactured at
Venice from the old recipe, is still prepared by the principal—perhaps
only—manufacturer annually on the same fixed day set apart for
generations for this purpose; and quainter still, that on that day the
persons employed in the process, dress themselves in fifteenth century
costume, and thus accoutred make their fire, bring out their cauldrons,
and concoct their medicament on one of the open "campi" of Venice, amid
a concourse of people assembled to watch the annual ceremony. Theriaca
now–a–days hardly finds its way beyond Venice and the neighbouring
parts of Lombardy. But within those limits hardly a peasant's cottage
would be found without its bottle of the drug, in which their ancestors
placed their faith for so many generations.
[Sidenote: THERIACA.]
The Theriaca, however, as may be supposed, availed nothing to our
poor Elisabetta; and the treatment of Dr. Mattaselani as little.
The fainting–fits and cold–sweats continued the whole night. In the
morning of the 28th came Dr. Gallerati, and ordered more purgatives,
more ointment, and the application of the diaphragm of a sheep to the
stomach! And when no advantage was found to result from this, he gave
the patient the celebrated poison antidote "Bezoar," and the "Olio del
Granduca;"—the Grand–duke's oil;—an antidote prepared, it should seem,
in that Medicean laboratory of poisons in the Uffizi at Florence, which
may well be believed to have been more successful in the preparation of
them than in its providing antidotes against them.
When the Bezoar and the Grand–duke's oil failed to produce any
abatement in the symptoms, the parish priest was sent for! And thus
the young artist life, so rich in promise, and in dreams of beauty yet
to be embodied, of long years of labour, and praise to be won, was cut
short in its spring.
Public-domain text, read in full here on John Shaqi.
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