sorts of fishes flock together upon it, as upon a bank of the sea, and
that many fishing boats come thither to catch fish, not suspecting that
they lie upon such a dreadful monster, which they at last understand by
the intangling of their hooks and angles in its body; which the monster
feeling, rises softly from the bottom to the surface, and seizes them
all; if in time they do not perceive him and prevent their destruction,
which they may easily do, only calling it by its name, which it no
sooner hears, but it sinks down again as softly as it did rise. They
tell you of another sea spectre, which they call the Draw, who keeps to
no constant shape or figure, but now appears in one, now in another.
It appears and is heard before any misfortunes, as shipwrecks and the
like, happen at sea, which it forebodes with a most frightful and
ghastly howling; and they say it sometimes utters words like a man. It
most commonly diverts itself, in putting all things out of order, after
the fishermen are gone at night to rest; and then he leaves behind him
a nasty stench. The fishermen will not suffer the truth of this tale to
be questioned, but pretend it is confessed. But the most superstitious
among them go yet a step farther, and will make you believe, that there
appears to them another kind of sea phantom, in the shape of a child
in swadling clothes, which they call Marmel, and sometimes draw him
out of the sea with their angling hook, when he speaks to them with a
human voice. They carry him to their home, and at night they put him
into one of their boots, there to rest. In the morning, when they go a
fishing again, they take him along with them in their boats, and before
they let him go, they set him a task to inform them of all they want to
know, upon which they dismiss him.
[30] What so many authors of great note relate of the wood ducks, and
affirm to be an unquestionable truth, is by as many learned writers
treated as an old woman’s tale, pretending that such an heterogeneal
generation passes the ordinary bounds of nature.
Public-domain text, read in full here on John Shaqi.
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