Alexey Sergeitch himself was a stumpy, paunchy little old man, with a chubby face of one uniform tint, yet pleasant, with drawn-in lips, and very lively little eyes under high eyebrows. He wore his scanty locks combed to the back of his head; it was only since 1812 that he had given up wearing powder. Alexey Sergeitch invariably wore a grey ‘redingote,’ with three capes falling over his shoulders, a striped waistcoat, chamois-leather breeches, and high boots of dark red morocco, with heart-shaped scallops and tassels at the tops; he wore a white muslin cravat, a jabot, lace cuffs, and two gold English ‘turnip watches,’ one in each pocket of his waistcoat. In his right hand he usually carried an enamelled snuff-box full of ‘Spanish’ snuff, and his left hand leaned on a cane with a silver-chased knob, worn smooth by long use. Alexey Sergeitch had a little nasal, piping voice, and an invariable smile--kindly, but, as it were, condescending, and not without a certain self-complacent dignity. His laugh, too, was kindly--a shrill little laugh that tinkled like glass beads. Courteous and affable he was to the last degree--in the old-fashioned manner of the days of Catherine--and he moved his hands with slow, rounded gestures, also in the old style. His legs were so weak that he could not walk, but ran with hurried little steps from one armchair to another, in which he would suddenly sit down, or rather fall softly, like a cushion. As I have said already, Alexey Sergeitch went out nowhere, and saw very little of his neighbours, though he liked society, for he was very fond of talking! It is true that he had society in plenty in his own house; various Nikanor Nikanoritchs, Sevastiey Sevastietchs, Fedulitchs, Miheitchs, all poor gentlemen in shabby cossack coats and camisoles, often from the master’s wardrobe, lived under his roof, to say nothing of the poor gentlewomen in chintz gowns, black kerchiefs thrown over their shoulders, and worsted reticules in their tightly clenched fingers--all sorts of Avdotia Savishnas, Pelagea Mironovnas, and plain Feklushkas and Arinkas, who found a home in the women’s quarters. Never less than fifteen persons sat down to Alexey Sergeitch’s table.... He was such a hospitable man! Among all those dependants two were particularly conspicuous: a dwarf, nicknamed Janus, or the Double-faced, of Danish--or, as some maintained, Jewish--extraction, and the mad Prince L. Contrary to what was customary in those days, the dwarf did nothing to amuse the master or mistress, and was not a jester--quite the opposite; he was always silent, had an ill-tempered and sullen appearance, and scowled and gnashed his teeth directly a question was addressed to him. Alexey Sergeitch called him a philosopher, and positively respected him; at table the dishes were handed to him first, after the guests and master and mistress. ‘God has afflicted him,’ Alexey Sergeitch used to say; ‘such is His Divine will; but it’s not for