A Dialogue Concerning Oratory, or the Causes of Corrupt Eloquence: The Works of Cornelius Tacitus, Volume 8 (of 8); With an Essay on His Life and Genius, Notes, SupplementsTacitus, Cornelius
Philosophy
A Dialogue Concerning Oratory, or the Causes of Corrupt Eloquence: The Works of Cornelius Tacitus, Volume 8 (of 8); With an Essay on His Life and Genius, Notes, Supplements
Tacitus, Cornelius
Dialogues, Latin; Oratory, Ancient
What Cicero says of Antonius, the celebrated orator, may be applied to
himself: That head, which defended the commonwealth, was shewn from
that very rostrum, where the heads of so many Roman citizens had been
saved by his eloquence. _In his ipsis rostris, in quibus ille
rempublicam constantissime consul defenderat, positum caput illud
fuit, a quo erant multorum civium capita servata._ Cicero _De
Oratore_, lib. iii. s. 10.
Section XLII.
[a] The urbanity with which the Dialogue is conducted, and the perfect
harmony with which the speakers take leave of each other, cannot but
leave a pleasing impression on the mind of every reader of taste. It
has some resemblance to the conclusion of Cicero's Dialogue DE NATURA
DEORUM. In both tracts, we have a specimen of the politeness with
which the ancients managed a conversation on the most interesting
subjects, and by the graces of style brought the way of instructing by
dialogue into fashion. A modern writer, whose poetical genius cannot
be too much admired, chooses to call it a _frippery way of writing_.
He advises his countrymen to abandon it altogether; and this for a
notable reason: because the Rev. Dr. Hurd (now Bishop of Worcester)
has shewn the true use of it. That the dialogues of that amiable
writer have an intrinsic value, cannot be denied: they contain a fund
of reflection; they allure by the elegance of the style, and they
bring us into company with men whom we wish to hear, to know, and to
admire. While we have such conversation-pieces, not to mention others
of the same stamp, both ancient and modern, the public taste, it may
be presumed, will not easily be tutored to reject a mode of
composition, in which the pleasing and useful are so happily blended.
The present Dialogue, it is true, cannot be proved, beyond a
controversy, to be the work of Tacitus; but it is also true, that it
cannot, with equal probability, be ascribed to any other writer. It
has been retained in almost every edition of Tacitus; and, for that
reason, claims a place in a translation which professes to give all
the works of so fine a writer.
CONCLUSION.
Public-domain text, read in full here on John Shaqi.
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