A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
“All at once I looked up with terror--
He was there.
He himself with His human air,
On the narrow pathway, just before:
I saw the back of Him, no more--
He had left the chapel, then, as I.
I forgot all about the sky.
No face: only the sight
Of a sweepy garment, vast and white,
With a hem that I could recognize.
I felt terror, no surprise:
My mind filled with the cataract,
At one bound, of the mighty fact.
I remembered, He did say
Doubtless, that, to this world’s end,
Where two or three should meet and pray,
He would be in the midst, their friend:
Certainly He was there with them.
And my pulses leaped for joy
Of the golden thought without alloy,
That I saw His very vesture’s hem.
Then rushed the blood back, cold and clear,
With a fresh enhancing shiver of fear.”
Praying for forgiveness wherein he has sinned, and prostrate in
adoration before the form of Christ, he is “caught up in the whirl and
drift” of his vesture, and carried along with him over the earth.
Stopping at length at the entrance of St. Peter’s in Rome, he remains
outside, while the form disappears within. He is able, however, to see
all that goes on, in the crowded, hushed interior. It is high mass. He
has been carried at once from the little chapel to the opposite
aesthetic pole. From the entry, where--
“The flame of the single tallow candle
In the cracked square lanthorn I stood under
Shot its blue lip at me,”
to--
“This miraculous dome of God--
This colonnade
With arms wide open to embrace
The entry of the human race
To the breast of.... what is it, yon building,
Ablaze in front, all paint and gilding,
With marble for brick, and stones of price
For garniture of the edifice?”
to “those fountains”--
“Growing up eternally
Each to a musical water-tree,
Whose blossoms drop, a glittering boon,
Before my eyes, in the light of the moon,
To the granite lavers underneath;”
from the singing of the chapel to the organ self-restrained, that “holds
his breath and grovels latent,” while expecting the elevation of the
Host. Christ is within; he is left without. Reflecting on the matter, he
thinks his Lord would not require him to go in, though he himself
entered, because there was a way to reach him there. By-and-by, however,
his heart awakes and declares that Love goes beyond error with them, and
if the Intellect be kept down, yet Love is the oppressor; so next time
he resolves to enter and praise along with them. The passage commencing,
“Oh, love of those first Christian days!” describing Love’s victory over
Intellect, is very fine.
Public-domain text, read in full here on John Shaqi.
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