A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
“The kritikos, the discerner, if he is ever saying to us, This is not
gold; and never, This is; is either very humbly useful, or very
perverse, or very unfortunate. This is not gold, he says. Thank you, we
reply, we perceived as much. And this is not, he adds. True, we answer,
but we see gold grains glittering out of its rude, dark mass. Well, at
least, this is not, he proceeds. Perverse man! we retort, are you
seeking what is not gold? We are inquiring for what is, and unfortunate
indeed are we if, born into a world of Nature, and of Spirit once so
rich, we are born but to find that it has spent or has lost all its
wealth. Unhappy man would he be, who, walking his garden, should scent
only the earthy savour of leaves dead or dying, never perceiving, and
that afar off, the heavenly odour of roses fresh to-day from the Maker’s
hands. The discerning by spiritual aroma may lead to discernment by the
eye, and to that careful scrutiny, and thence greater knowledge, of
which the eye is instrument and minister.”
And again:--
“The critic criticized, if dealt with in the worst fashion of his own
class, must be pronounced a mere monster, ‘seeking whom he may devour;’
and, therefore, to be hunted and slain as speedily as possible, and
stuffed for the museum, where he may be regarded with due horror, but in
safety. But if dealt with after the best fashion of his class, a very
honourable and beneficent office is assigned him, and he is warned
only--though zealously--against its perversions. A judicial chair in the
kingdom of human thought, filled by a man of true integrity,
comprehensiveness, and delicacy of spirit, is a seat of terror and
praise, whose powers are at once most fostering to whatever is good,
most repressive of whatever is evil.... The critic, in his office of
censurer, has need so much to controvert, expose, and punish, because of
the abundance of literary faults; and as there is a right and a wrong
side in warfare, so there will be in criticism. And as when soldiers are
numerous, there will be not a few who are only tolerable, if even that,
so of critics. But then the critic is more than the censurer; and in his
higher and happier aspect appears before us and serves us, as the
discoverer, the vindicator, and the eulogist of excellence.”
Public-domain text, read in full here on John Shaqi.
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