A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
As a child his habits were noticeable. He was especially fond of
rambling by moonlight, of inventing wonderful tales, of occupying
himself with strange, and sometimes dangerous, amusements. At the age of
thirteen he went to Eton. In this little world, that determined
opposition to whatever appeared to him an invasion of human rights and
liberty, which was afterwards the animating principle of most of his
writings, was first roused in the mind of Shelley. Were we not aware of
far keener distress which he afterwards endured from yet greater
injustice, we might suppose that the sufferings he had to bear from
placing himself in opposition to the custom of the school, by refusing
to fag, had made him morbidly sensitive on the point of liberty. At a
time, however, when freedom of speech, as indicating freedom of thought,
was especially obnoxious to established authorities; when no allowance
could be made on the score of youth, still less on that of individual
peculiarity, Shelley became a student at Oxford. He was then eighteen.
Devoted to metaphysical speculation, and especially fond of logical
discussion, he, in his first year, printed and distributed among the
authorities and members of his college a pamphlet, if that can be called
a pamphlet which consisted only of two pages, in which he opposed the
usual arguments for the existence of a Deity; arguments which, perhaps,
the most ardent believers have equally considered inconclusive. Whether
Shelley wrote this pamphlet as an embodiment of his own opinions, or
merely as a logical confutation of certain arguments, the mode of
procedure adopted with him was certainly not one which necessarily
resulted from the position of those to whose care the education of his
opinions was entrusted. Without waiting to be assured that he was the
author, and satisfying themselves with his refusal to answer when
questioned as to the authorship, they handed him his sentence of
expulsion, which had been already drawn up in due form.
About this time Shelley wrote, or commenced writing, _Queen Mab_, a poem
which he never published, although he distributed copies among his
friends. In after years he had such a low opinion of it in every
respect, that he regretted having printed it at all; and when an edition
of it was published without his consent, he applied to the Court of
Chancery for an injunction to suppress it.
Public-domain text, read in full here on John Shaqi.
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