A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
Few men have been more misunderstood or misrepresented than Shelley.
Doubtless this has in part been his own fault, as Coleridge implies when
he writes to this effect of him: that his horror of hypocrisy made him
speak in such a wild way, that Southey (who was so much a man of forms
and proprieties) was quite misled, not merely in his estimate of his
worth, but in his judgment of his character. But setting aside this
consideration altogether, and regarding him merely as a poet, Shelley
has written verse which will last as long as English literature lasts;
valuable not only from its excellence, but from the peculiarity of its
excellence. To say nothing of his noble aims and hopes, Shelley will
always be admired for his sweet melodies, lovely pictures, and wild
prophetic imaginings. His indignant remonstrances, intermingled with
grand imprecations, burst in thunder from a heart overcharged with the
love of his kind, and roused to a keener sense of all oppression by the
wrongs which sought to overwhelm himself. But as he recedes further in
time, and men are able to see more truly the proportions of the man,
they will judge, that without having gained the rank of a great
reformer, Shelley had in him that element of wide sympathy and lofty
hope for his kind which is essential both to the _birth_ and the
subsequent _making_ of the greatest of poets.
A SERMON.
[Footnote: Read in the Unitarian chapel, Essex-street, London, 1879.]
PHILIPPIANS iii. 15, 16.--Let us therefore, as many as be perfect, be
thus minded; and if in anything ye be otherwise minded, God shall reveal
even this unto you. Nevertheless, whereto we have already attained, let
us walk by that same.
This is the reading of the oldest manuscripts. The rest of the verse is
pretty clearly a not overwise marginal gloss that has crept into the
text.
Public-domain text, read in full here on John Shaqi.
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