A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
But we have another source of more direct enlightenment as to Shakspere
himself. We only say more _direct_, not more certain or extended
enlightenment. We have one collection of poems in which he speaks in his
own person and of himself. Of course we refer to his sonnets. Though
these occupy, with their presentation of himself, such a small relative
space, they yet admirably round and complete, to our eyes, the circle of
his individuality. In them and the plays the common saying--one of the
truest--that extremes meet, is verified. No man is complete in whom
there are no extremes, or in whom those extremes do not meet. Now the
very individuality of Shakspere, judged by his dramas alone, has been
declared nonexistent; while in the sonnets he manifests some of the
deepest phases of a healthy self-consciousness. We do not intend to
enter into the still unsettled question as to whether these sonnets were
addressed to a man or a woman. We have scarcely a doubt left on the
question ourselves, as will be seen from the argument we found on our
conviction. We cannot say we feel much interest in the other question,
_If a man, what man?_ A few placed at the end, arranged as they have
come down to us, are beyond doubt addressed to a woman. But the
difference in tone between these and the others we think very
remarkable. Possibly at the time they were written--most of them early
in his life, as it appears to us, although they were not published till
the year 1609, when he was forty-five years of age, Meres referring to
them in the year 1598, eleven years before, as known “among his private
friends”--he had not known such women as he knew afterwards, and hence
the true devotion of his soul is given to a friend of his own sex.
Gervinus, whose lectures on Shakspere, profound and lofty to a degree
unattempted by any other interpreter, we are glad to find have been done
into a suitable English translation, under the superintendence of the
author himself--Gervinus says somewhere in them that, as Shakspere lived
and wrote, his ideal of womanhood grew nobler and purer. Certainly the
woman to whom the last few of these sonnets are addressed was neither
noble nor pure. We think, in this matter at least, they record one of
his early experiences.
We shall briefly indicate what we find in these sonnets about the man
himself, and shall commence with what is least pleasing and of least
value.
Public-domain text, read in full here on John Shaqi.
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