A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
We are very willing to believe that “Julius Caesar” was one of his
latest plays; for certainly it is the play in which he has represented a
hero in the high and true sense. _Brutus_ is this hero, of course; a
hero because he will do what he sees to be right, independently of
personal feeling or personal advantage. Nor does his attempt fail from
any overweening or blindness, in himself. Had he known that the various
papers thrown in his way, were the concoctions of _Cassius_, he would
not have made the mistake of supposing that the Romans longed for
freedom, and therefore would be ready to defend it. As it was, he
attempted to liberate a people which did not feel its slavery. He failed
for others, but not for himself; for his truth was such that everybody
was true to him. Unlike Jaques with his seven acts of the burlesque of
human life, Brutus says at the last,--
“Countrymen,
My heart doth joy, that yet, in all my life,
I found no man but he was true to me.”
Of course all this is in Plutarch. But it is easy to see with what
relish Shakspere takes it up, setting forth all the aids in himself and
in others which Brutus had to being a hero, and thus making the
representation as credible as possible.
We must heartily confess that no amount of genius alone will make a man
a good man; that genius only shows the right way--drives no man to walk
in it. But there is surely some moral scent in us to let us know whether
a man only cares for good from an artistic point of view, or whether he
admires and loves good. This admiration and love cannot be _prominently_
set forth by any dramatist true to his art; but it must come out over
the whole. His predilections must show themselves in the scope of his
artistic life, in the things and subjects he chooses, and the way in
which he represents them. Notwithstanding Uncle Toby and Maria, who will
venture to say that Sterne was noble or virtuous, when he looks over the
whole that he has written? But in Shakspere there is no suspicion of a
cloven foot. Everywhere he is on the side of virtue and of truth. Many
small arguments, with great cumulative force, might be adduced to this
effect.
Public-domain text, read in full here on John Shaqi.
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