A Dish of Orts : Chiefly Papers on the Imagination, and on ShakespeareMacDonald, George
Philosophy
A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare
MacDonald, George
Literature -- History and criticism; Shakespeare, William, 1564-1616 -- Criticism and interpretation
To return to “Macbeth:” Why is the doctor of medicine introduced in the
scene at the English court? He has nothing to do with the progress of
the play itself, any more than the old man already alluded to.--He is
introduced for a precisely similar reason.--As a doctor, he is the best
testimony that could be adduced to the fact, that the English King
Edward the Confessor, is a fountain of health to his people, gifted for
his goodness with the sacred privilege of curing _The King’s Evil_, by
the touch of his holy hands. The English King himself is thus
introduced, for the sake of contrast with the Scotch King, who is a
raging bear amongst his subjects.
In the “Winter’s Tale,” to which he gives the name because of the
altogether extraordinary character of the occurrences (referring to it
in the play itself, in the words: “_a sad tale’s best for winter: I have
one of sprites and goblins_”) Antigonus has a remarkable dream or
vision, in which Hermione appears to him, and commands the exposure of
her child in a place to all appearance the most unsuitable and
dangerous. Convinced of the reality of the vision, Antigonus obeys; and
the whole marvellous result depends upon this obedience. Therefore the
vision must be intended for a genuine one. But how could it be such, if
Hermione was not dead, as, from her appearance to him, Antigonus firmly
believed she was? I should feel this to be an objection to the art of
the play, but for the following answer:--At the time she appeared to
him, she was still lying in that deathlike swoon, into which she fell
when the news of the loss of her son reached her as she stood before the
judgment-seat of her husband, at a time when she ought not to have been
out of her chamber.
Note likewise, in the first scene of the second act of the same play,
the changefulness of Hermione’s mood with regard to her boy, as
indicative of her condition at the time. If we do not regard this fact,
we shall think the words introduced only for the sake of filling up the
business of the play.
Public-domain text, read in full here on John Shaqi.
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