A Distinguished Provincial at ParisBalzac, Honoré de
General
A Distinguished Provincial at Paris
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
“That is not my affair,” said Dauriat, looking daggers at this handsome
young fellow, who was smiling pleasantly at him. “I do not publish books
for amusement, nor risk two thousand francs for the sake of seeing my
money back again. I speculate in literature, and publish forty volumes
of ten thousand copies each, just as Panckouke does and the Baudoins.
With my influence and the articles which I secure, I can push a business
of a hundred thousand crowns, instead of a single volume involving a
couple of thousand francs. It is just as much trouble to bring out a new
name and to induce the public to take up an author and his book, as to
make a success with the _Théâtres étrangers_, _Victoires et Conquêtes_,
or _Mémoires sur la Revolution_, books that bring in a fortune. I am not
here as a stepping-stone to future fame, but to make money, and to find
it for men with distinguished names. The manuscripts for which I give a
hundred thousand francs pay me better than work by an unknown author
who asks six hundred. If I am not exactly a Maecenas, I deserve the
gratitude of literature; I have doubled the prices of manuscripts. I am
giving you this explanation because you are a friend of Lousteau’s
my boy,” added Dauriat, clapping Lucien on the shoulder with odious
familiarity. “If I were to talk to all the authors who have a mind that
I should be their publisher, I should have to shut up shop; I should
pass my time very agreeably no doubt, but the conversations would cost
too much. I am not rich enough yet to listen to all the monologues of
self-conceit. Nobody does, except in classical tragedies on the stage.”
The terrible Dauriat’s gorgeous raiment seemed in the provincial poet’s
eyes to add force to the man’s remorseless logic.
“What is it about?” he continued, addressing Lucien’s protector.
“It is a volume of magnificent poetry.”
At that word, Dauriat turned to Gabusson with a gesture worthy of Talma.
“Gabusson, my friend,” he said, “from this day forward, when anybody
begins to talk of works in manuscript here—Do you hear that, all of
you?” he broke in upon himself; and three assistants at once emerged
from among the piles of books at the sound of their employer’s wrathful
voice. “If anybody comes here with manuscripts,” he continued, looking
at the finger-nails of a well-kept hand, “ask him whether it is poetry
or prose; and if he says poetry, show him the door at once. Verses mean
reverses in the booktrade.”
“Bravo! well put, Dauriat,” cried the chorus of journalists.
Public-domain text, read in full here on John Shaqi.
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