Lucien had no idea how lavishly a prosperous merchant will spend money upon an actress or a mistress when he means to enjoy a life of pleasure. Matifat was not nearly so rich a man as his friend Camusot, and he had done his part rather shabbily, yet the sight of the dining-room took Lucien by surprise. The walls were hung with green cloth with a border of gilded nails, the whole room was artistically decorated, lighted by handsome lamps, stands full of flowers stood in every direction. The drawing-room was resplendent with the furniture in fashion in those days—a Thomire chandelier, a carpet of Eastern design, and yellow silken hangings relieved by a brown border. The candlesticks, fire-irons, and clock were all in good taste; for Matifat had left everything to Grindot, a rising architect, who was building a house for him, and the young man had taken great pains with the rooms when he knew that Florine was to occupy them. Matifat, a tradesman to the backbone, went about carefully, afraid to touch the new furniture; he seemed to have the totals of the bills always before his eyes, and to look upon the splendors about him as so much jewelry imprudently withdrawn from the case. “And I shall be obliged to do as much for Florentine!” old Cardot’s eyes seemed to say. Lucien at once began to understand Lousteau’s indifference to the state of his garret. Étienne was the real king of these festivals; Étienne enjoyed the use of all these fine things. He was standing just now on the hearthrug with his back to the fire, as if he were the master of the house, chatting with the manager, who was congratulating du Bruel. “Copy, copy!” called Finot, coming into the room. “There is nothing in the box; the printers are setting up my article, and they will soon have finished.” “We will manage,” said Étienne. “There is a fire burning in Florine’s boudoir; there is a table there; and if M. Matifat will find us paper and ink, we will knock off the newspaper while Florine and Coralie are dressing.” Cardot, Camusot, and Matifat disappeared in search of quills, penknives, and everything necessary. Suddenly the door was flung open, and Tullia, one of the prettiest opera-dancers of the day, dashed into the room. “They agree to take the hundred copies, dear boy!” she cried, addressing Finot; “they won’t cost the management anything, for the chorus and the orchestra and the _corps de ballet_ are to take them whether they like it or not; but your paper is so clever that nobody will grumble. And you are going to have your boxes. Here is the subscription for the first quarter,” she continued, holding out a couple of banknotes; “so don’t cut me up!” “It is all over with me!” groaned Finot; “I must suppress my abominable diatribe, and I haven’t another notion in my head.”