A Distinguished Provincial at ParisBalzac, Honoré de
General
A Distinguished Provincial at Paris
Balzac, Honoré de
France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
Lads, ‘tis tedious waste of time
To mingle song and reason;
Folly calls for laughing rhyme,
Sense is out of season.
Let Apollo be forgot
When Bacchus fills the drinking-cup;
Any catch is good, I wot,
If good fellows take it up.
Let philosophers protest,
Let us laugh,
And quaff,
And a fig for the rest!
As Hippocrates has said,
Every jolly fellow,
When a century has sped,
Still is fit and mellow.
No more following of a lass
With the palsy in your legs?—
While your hand can hold a glass,
You can drain it to the dregs,
With an undiminished zest.
Let us laugh,
And quaff,
And a fig for the rest!
Whence we come we know full well.
Whiter are we going?
Ne’er a one of us can tell,
‘Tis a thing past knowing.
Faith! what does it signify,
Take the good that Heaven sends;
It is certain that we die,
Certain that we live, my friends.
Life is nothing but a jest.
Let us laugh,
And quaff,
And a fig for the rest!
He was shouting the reckless refrain when d’Arthez and Bianchon arrived,
to find him in a paroxysm of despair and exhaustion, utterly unable to
make a fair copy of his verses. A torrent of tears followed; and when,
amid his sobs, he had told his story, he saw the tears standing in his
friends’ eyes.
“This wipes out many sins,” said d’Arthez.
“Happy are they who suffer for their sins in this world,” the priest
said solemnly.
At the sight of the fair, dead face smiling at Eternity, while Coralie’s
lover wrote tavern-catches to buy a grave for her, and Barbet paid for
the coffin—of the four candles lighted about the dead body of her who
had thrilled a great audience as she stood behind the footlights in her
Spanish basquina and scarlet green-clocked stockings; while beyond in
the doorway, stood the priest who had reconciled the dying actress with
God, now about to return to the church to say a mass for the soul of her
who had “loved much,”—all the grandeur and the sordid aspects of the
scene, all that sorrow crushed under by Necessity, froze the blood of
the great writer and the great doctor. They sat down; neither of them
could utter a word.
Just at that moment a servant in livery announced Mlle. des Touches.
That beautiful and noble woman understood everything at once.
She stepped quickly across the room to Lucien, and slipped two
thousand-franc notes into his hand as she grasped it.
“It is too late,” he said, looking up at her with dull, hopeless eyes.
Public-domain text, read in full here on John Shaqi.
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