'Ye-es,' said Bat dreamily, after Morgiana had given 'the nasty jar' to
the Forty Thieves in their forty oil 'combinations.' 'As you say, I've
got 'em and I can hold 'em. What a man does doesn't matter much; and how
he does it don't matter either. It's the _when_--the psychological
moment. 'Press can't make up for it; money can't; brains can't. A lot's
luck, but all the rest is genius. I'm not speaking about My people now.
I'm talking of Myself.'
Then 'Dal--she was the only one who dared--knocked at the door and stood
behind us all alive and panting as Morgiana. Lafone was carrying the
police-court scene, and the house was ripped up crossways with laughter.
'Ah! Tell a fellow now,' she asked me for the twentieth time, 'did you
love Nellie Farren when you were young?'
'Did we love her?' I answered. '"If the earth and the sky and the
sea"--There were three million of us, 'Dal, and we worshipped her.'
'How did she get it across?' Dal went on.
'She was Nellie. The houses used to coo over her when she came on.'
'I've had a good deal, but I've never been cooed over yet,' said 'Dal
wistfully.
'It isn't the how, it's the when,' Bat repeated. 'Ah!'
He leaned forward as the house began to rock and peal full-throatedly.
'Dal fled. A sinuous and silent procession was filing into the
police-court to a scarcely audible accompaniment. It was dressed--but
the world and all its picture-palaces know how it was dressed. It
danced and it danced, and it danced the dance which bit all humanity in
the leg for half a year, and it wound up with the lockstep finale that
mowed the house down in swathes, sobbing and aching. Somebody in the
gallery moaned, 'Oh Gord, the Gubby!' and we heard the word run like a
shudder, for they had not a full breath left among them. Then 'Dal came
on, an electric star in her dark hair, the diamonds flashing in her
three-inch heels--a vision that made no sign for thirty counted seconds
while the police-court scene dissolved behind her into Morgiana's
Manicure Palace, and they recovered themselves. The star on her forehead
went out, and a soft light bathed her as she took--slowly, slowly to the
croon of adoring strings--the eighteen paces forward. We saw her first
as a queen alone; next as a queen for the first time conscious of her
subjects, and at the end, when her hands fluttered, as a woman
delighted, awed not a little, but transfigured and illuminated with
sheer, compelling affection and goodwill. I caught the broken mutter of
welcome--the coo which is more than tornadoes of applause. It died and
rose and died again lovingly.
'She's got it across,' Bat whispered. 'I've never seen her like this. I
told her to light up the star, but I was wrong, and she knew it. She's
an artist.'
''Dal, you darling!' some one spoke, not loudly but it carried through
the house.
Public-domain text, read in full here on John Shaqi.
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