"Hm!" said he. "I have already told you she is far from old--between
thirty and forty--and very elegant, and since we have the things, why
should we appear poorer than necessary? To be sure, we cannot change
the old furniture, but you might at least put away those thin, brittle
spoons, and have the new ones instead; and if you will not dress in
state--"
He faltered, although she had not interrupted him by a word. But her
look, seeking to read the depths of his heart, troubled him.
"Listen, Hans!" she said. "You amaze me. Hasn't everything seemed
pretty and suitable to you until now? And didn't you yourself say that
this old sofa, where we sat when our betrothal was celebrated, should
never leave the house? And wasn't the little coffee-spoon good enough
for you, when I put my first preserved cherries into your mouth with
it? The new ones, you know very well, belong to Heinz, whose god-mother
is to send him one each year until the dozen is complete. Ought I to
borrow anything from our boy in order to make a display before a
strange lady? My coffee is famous throughout the town. Mary shall run
to the baker's for some fresh pastry; then, if we do not please your
Russian, I am very sorry. For the rest, you appear to have studied her
baptismal record more closely to-day. All the better, that she is no
old woman. Tell me, has she children?"
"I believe not. She has not spoken of them."
"No matter. Her silver spoons may be more beautiful than mine. As for
our children, they, I think, could compare with any general's children.
I shall merely wash their hands a little, as they dig in their garden.
But earth is not dirt."
Then she went out into the garden, while he, glad to be alone,
pried about the room, rearranging and disposing things after his own
mind in a more artistic fashion. Bringing a few aquarelles from the
garret--which he had converted into an _atelier_ by means of a
half-covered north window--he hung them on the wall in place of the
crayon portrait of some forgotten great-aunt. He put an easel in the
corner near the little window, and placed a study in oils upon it. He
heartily desired to remove a certain shelf loaded with glasses, cups,
artificial flowers, and alabaster figures, and he would have had no
objection to throwing it out of the window upon the wall; but he knew
that this treasure house of tasteless keepsakes was too dear to his
wife for her ever to forgive such an act of violence. At length he
regarded his work with a sigh; the room did not look very much changed;
he acknowledged that the stamp of provincial simplicity was too deeply
impressed on his life to be erased by a mere wave of the hand.
But in truth this cage was too narrow for an aspiring artist. He must
leave it at once, or the veil which had until now hidden all this
pettiness from his eyes would soon envelop him completely.
Public-domain text, read in full here on John Shaqi.
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