Once more she glanced mischievously at Hans, who was pushing back the
table in order to show the view to their guest. But the lady remained
seated, saying that she had studied the Tauber valley thoroughly from
the castle, and was now here solely on Christel's account. She had
evidently intended to be very gracious and affable, and to encourage
the shy young wife in every way; but when she realized that there was
no need of this, her own manner became somewhat constrained. She was
unusually quiet, and listened in silence to Christel's ingenuous
prattle and the husband's occasional comments. The maid brought the
coffee, and Christel served her guest without any ado. Meanwhile, she
observed, the stranger's face closely, and seemed to become more and
more confident and cheerful in consequence. Then she inquired about the
lady's journey, about her husband; and asked if she had any children.
As the stranger hastily answered this in the negative, the subject was
dropped. Soon afterwards Christel's three oldest children rushed
upstairs into the room; the larger boy held his younger sister, just
two years old, in his arms; all four looked pretty and rosy, and were
only a trifle abashed when their mother bade them shake hands with the
stranger. The latter regarded them through her lorgnette with apparent
good-will, but evidently did not know what to say to them. So, with a
glance at the shabby little piano standing against the wall, she at
once asked if Christel played.
She had played as a girl. Now she had too many household duties, and
opened the old instrument only occasionally to accompany her children
in a song.
Of course the guest desired to hear one of these family concerts, and,
although the father remarked that it would be a very moderate pleasure,
the young wife was soon persuaded. Gently lifting the youngest child
from her lap, she placed it in the sofa corner. Then, seating herself
at the piano, she struck several chords with an unpractised but musical
hand, and played the melody of the song "_In einem kühlen Grunde_." The
two boys and little Lulu came softly behind her, and began to sing
somewhat shyly. But by the second stanza the young voices sounded fresh
and courageous; and the mother sang with them, in a voice whose
charming quaintness lent peculiar strength and meaning to the tender
love-song.
Hans, sitting by the window, cast furtive glances at the stranger,
whose face assumed a more and more bitter and unhappy expression, the
longer she listened. When the song was finished, she did not speak.
Christel arose and whispered something to the children, whereupon,
after a courteous bow, they left the room. Then she took the youngest,
which had fallen asleep, and carried it out to the maid. When she
reentered, the two were still sitting in silent absorption.
"Will you not show your friend the _atelier_?" she asked brightly.
"There is more to be seen there than down here."
Public-domain text, read in full here on John Shaqi.
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