But somehow it was all a muddle, and Joseph could make neither head nor
tail of it. He felt as if he must seize and ring the dinner-bell, or
carry in the form for prayers. For instance, there was that Lord Henry
Moorpark there, and Captain Glen and Mr Richard Millet, who had tipped
him over and over again, and ought to have married the ladies. They
were there, and so was that tall, dark Major Malpas, who always "looked
at him as if he had been a dorg; and lots more people crowding into the
rooms, and a-eating and drinking and talking till the place was a
regular bubble."
Joseph either meant Babel or a state of effervescence, both similes
being applicable to the condition of the private apartments on the
auspicious day, as it was called by Lord Henry, who played the part of
"heavy father" in the genteel comedy in course of enactment.
Then Joseph--who told himself he had never seen such a set-out since he
came, a hungry page from the orphan school--wanted to know why Captain
Glen, who had been so huffed about Miss Clotilde's marriage, should be
there, and look so jolly, and propose the health of the bride. "It
seemed rum," Joseph said, "though certainly him and Miss Marie looked
pretty thick now, while little Mr Millet sat next to Miss Ruth," who,
to the man's notions, was "the prettiest of the lot."
Joseph saw and heard a good deal. He saw Major Malpas place his glass
in his dark eye, and, bringing the thick brow over it, stare very hard
at the bride, who did not seem to mind it in the least--a fact which
made the philosopher declare that "Miss Clo had got face enough for
anything."
He also heard Major Malpas, who was perfect in his dress and handsome
bearing, say to one of the guests who had made some remark respecting
Glen's appearance, that the Captain was a fine animal, that was all.
"Too big for a soldier, sah. Looks like a big mastiff, sah, taking care
of that little toy-terrier Millet."
Joseph's notions of the wedding feast were very much after the fashion
of the celebrated coat of his ancient namesake, of many colours, and
those colours were terribly muddled up in his brain. They were bad
enough before the matter of that five-pound note occurred; after that
the unfortunate young man's ideas were as if shaken up in a bottle to a
state of neutral tint in which nothing was plain.
He put that five-pound note, crumpled as it was, either in his breeches
or his behind coat-pocket, but what became of it afterwards he could not
tell. He might have taken it out to hold a hot plate, to use as a
d'oyley, or to wipe his nose, or to dab up the wine that Mr Elbraham
spilt when he upset his champagne-glass. He might or he mightn't. He
couldn't say then. All he knew was that it muddled him, and that the
dinner-bell hadn't been rung, nor the form carried in for prayers.
Public-domain text, read in full here on John Shaqi.
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