'Open Sesame' which will lead you to the place where the
treasure is--greater treasure than was in the cave of the forty
thieves. These performances which you will have gone through
will have unlocked, unbolted and unbarred. All that remains is
that you slide that whole side of the mantelpiece to the left.
You'll have no difficulty. Behind you'll discover a cupboard,
deep though narrow, going far back into the wall, with shelves
laden with treasures. On those shelves is the quarter of a
million of money--I daresay more--which once was Cuthbert
Grahame's, waiting for some one to carry it away! Here are the
two drawings which are the key to the riddle. I present them to
you freely. They were made specially for you. Although the
broker's man is in for rent, and the bill of sale men clamour at
the door, and you are penniless, and ruin stares you in the
face--ruin utter and complete--though your need of it's so
great, you'll not get that money which is hidden in the
mantelpiece--you'll not dare! you'll not dare! Because the bed
still stands in the room--you can see it now!--the bed on which
you murdered Cuthbert Grahame; and Cuthbert Grahame still lies
on it--you can see him too!--waiting and watching for you to
return to where you threw the pillows on the floor--waiting and
watching for you. You'll not dare go back into that room again,
because in it the dead hand is waiting to grip you by the
throat. And after to-morrow it will be too late--Cuthbert
Grahame's money will be there no longer. Here are the drawings.
I will leave them with you, as I said. You will be able to study
them at your leisure, conscious of who is looking over your
shoulder."
Margaret laid the drawings on the coverlet. With her portfolio
again beneath her arm she quitted the room, as noiselessly as
she had entered. All the time Mrs. Gregory Lamb had not moved or
spoken a word.
CHAPTER XXX
MRS. LAMB IN SEARCH OF ADVICE
On the evening of that same day, at the door of Mr. Isaac
Luker's little house in that _cul-de-sac_ near Stamford Street,
some one knocked, in a rather unusual manner, as if after a
prescribed fashion, then whistled half-a-dozen sharp, shrill
notes up the scale. This performance was repeated thrice before
anything happened to show that it had attracted attention
within. Then a window was opened above; the solicitor's head
came out.
"Who's there?"
A feminine voice replied--
"It's me--Isabel. I want to speak to you. Don't keep me waiting
out here. Come down! let me in at once."
There was a brief pause before the answer came, as if the man of
law was endeavouring to see as much of his visitor as he could.
"Not much--I won't have you in this house; don't you think it;
I'm not a fool. If you won't go without a fuss I'll soon get
those who'll shift you."
"You are a fool. I don't want money from you, or anything of
that kind. I want to tell you something--that's all."
Public-domain text, read in full here on John Shaqi.
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