A Duet, with an Occasional ChorusDoyle, Arthur Conan
General
A Duet, with an Occasional Chorus
Doyle, Arthur Conan
Married people -- Fiction
It is always a mystery to the City man how his wife puts in the seven
hours a day of loneliness while the E.C. has claimed him for its own.
She cannot explain it to him, for she can hardly explain it to herself.
It is frittered away in a thousand little tasks, each trivial in itself,
and yet making in their sum the difference between a well-ordered and a
neglected household. Under the illustrious guidance of the omniscient
Mrs. Beeton there is the usual routine to be gone through. The cook has
to be seen, the larder examined, the remains cunningly transformed into
new and attractive shapes, the dinner to be ordered (anything will do for
lunch), and the new supplies to be got in. The husband accepts the
excellent little dinner, the fried sole, the _ris de veau en caisse_, the
lemon pudding, as if they had grown automatically out of the table-cloth.
He knows nothing of the care, the judgment, the prevision which ring the
changes with every season, which never relax and never mistake. He
enjoys the fruits, but he ignores the work which raised them. And yet
the work goes cheerfully and uncomplainingly on.
Then when every preparation has been made for the dinner—that solemn
climax of the British day, there is plenty for Maude to do. There is the
white chiffon to be taken out of the neck of that dress, and the pink to
be put in. Amateur dressmaking is always going on at The Lindens, and
Frank has become more careful in his caresses since he found one evening
that his wife had a row of pins between her lips—which is not a pleasant
discovery to make with your own. Then there are drawers to be tidied,
and silver to be cleaned, and the leaves of the gutta-percha plant to be
washed, and the feather which was damped yesterday to be re-curled before
the fire. That leaves just time before lunch to begin the new novel by
glancing at the last two pages to see what _did_ happen, and then the
three minutes lunch of a lonely woman. So much for business, now for the
more trying social duties. The pink dressing-gown is shed and a trim
little walking dress—French grey cloth with white lisse in front and a
grey zouave jacket—takes its place. Visiting strangers is not nearly so
hard when you are pleased with your dress, and even entertaining becomes
more easy when your costumière lives in Regent Street. On Tuesdays Maude
is at home. Every other day she hunts through her plate of cards, and is
overwhelmed by the sense of her rudeness towards her neighbours. But her
task is never finished, though day after day she comes back jaded with
her exertions. Strangers still call upon her—‘hope it is not too late to
do the right thing, and to welcome,’ etc., etc.—and they have to be
re-visited. While she is visiting them, other cards appear upon her hall
table, and so the foolish and tiresome convention continues to exhaust
the time and the energies of its victim.
Public-domain text, read in full here on John Shaqi.
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