A Duet, with an Occasional ChorusDoyle, Arthur Conan
General
A Duet, with an Occasional Chorus
Doyle, Arthur Conan
Married people -- Fiction
Maude was a rigid economist, and so was Frank in his way, for with the
grand self-respect of the middle classes the thought of debt was
unendurable to them. A cab in preference to a ’bus gave both of them a
feeling of dissipation, but none the less they treated themselves to one
on the occasion of this, their little holiday. It is a delightful thing
to snuggle up in, is a hansom; but in order to be really trim and
comfortable one has to put one’s arm round one’s companion’s waist. No
one can observe it there, for the vehicle is built upon intelligent
principles. The cabman, it is true, can overlook you through a hole in
the roof. This cabman did so, and chuckled in his cravat. ‘If that
cove’s wife could see him—huddup, then!’ said the cabman.
He was an intelligent cabman too, for having heard Frank say ‘Thomas
Carlyle’s house’ after giving the address 5 Cheyne Row, he pulled up on
the Thames Embankment. Right ahead of them was Chelsea Bridge, seen
through a dim, soft London haze—monstrous, Cyclopean, giant arches
springing over a vague river of molten metal, the whole daintily blurred,
as though out of focus. The glamour of the London haze, what is there
upon earth so beautiful? But it was not to admire it that the cabman had
halted.
‘I beg your pardin’, sir,’ said he, in the softly insinuating way of the
Cockney, ‘but I thought that maybe the lidy would like to see Mr.
Carlyle’s statue. That’s ’im, sir, a-sittin’ in the overcoat with the
book in ’is ’and.’
Frank and Maude got out and entered the small railed garden, in the
centre of which the pedestal rose. It was very simple and plain—an old
man in a dressing-gown, with homely wornout boots, a book upon his knee,
his eyes and thoughts far away. No more simple statue in all London, but
human to a surprising degree. They stood for five minutes and stared at
it.
‘Well,’ said Frank at last, ‘small as it is, I think it is worthy of the
man.’
‘It is so natural.’
‘You can see him think. By Jove, it is splendid!’ Frank had enough of
the true artist to be able to feel that rush of enthusiasm which adequate
work should cause. That old man, with his head shamefully defiled by
birds, was a positive joy to him. Among the soulless, pompous,
unspeakable London statues, here at last there was one over which it is
pleasant to linger.
‘What other one is there?’
‘Gordon in Trafalgar Square.’
‘Well, Gordon, perhaps. But our Nelsons and Napiers and Havelocks—to
think that we could do no better than that for them! Now, dear, we have
seen the man—let us look at the house!’
Public-domain text, read in full here on John Shaqi.
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