A Duet, with an Occasional ChorusDoyle, Arthur Conan
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A Duet, with an Occasional Chorus
Doyle, Arthur Conan
Married people -- Fiction
‘Well, indeed, I dare say you are right, though I never thought of it
before,’ said the matron. ‘Now this, up here, is Carlyle’s own room, in
which he slept for forty-seven years. In the case is a cast of his head
taken after death.’
It was strange and rather ghastly to see a plaster head in this room
where the head of flesh had so often lain. Maude and Frank stood beside
it, and gazed long and silently while the matron, half-bored and
half-sympathetic, waited for them to move on. It was an aquiline face,
very different from any picture which they had seen, sunken cheeks, an
old man’s toothless mouth, a hawk nose, a hollow eye—the gaunt timbers of
what had once been a goodly house. There was repose, and something of
surprise also, in the features—also a very subtle serenity and dignity.
‘The distance from the ear to the forehead is said to be only equalled by
Napoleon and by Gladstone. That’s what they _say_,’ said the matron,
with Scotch caution.
‘It’s the face of a noble man when all is said and done,’ said Frank. ‘I
believe that the true Thomas Carlyle without the dyspepsia, and the true
Jane Welsh without the nerves, are knowing and loving each other in some
further life.’
‘It is sweet to think so,’ cried Maude. ‘Oh, I do hope that it is so!
How dear death would be if we could only be certain of that!’
The matron smiled complacently in the superior wisdom of the Shorter
Catechism. ‘There is neither marriage nor giving in marriage,’ said she,
shaking her head. ‘This is the spare bedroom, sir, where Mr. Emerson
slept when he was here. And now if you will step this way I will show
you the study.’
It was the singular room which Carlyle had constructed in the hopes that
he could shut out all the noises of the universe, the crowing of cocks,
and the jingling of a young lady’s five-finger exercise in particular.
It had cost him a hundred odd pounds, and had ended in being unendurably
hot in summer, impossibly cold in winter, and so constructed acoustically
that it reverberated every sound in the neighbourhood. For once even his
wild and whirling words could hardly match the occasion—not all his
_kraft sprachen_ would be too much. For the rest it was at least a roomy
and lofty apartment, with space for many books, and for an irritable man
to wander to and fro. Prints there were of many historical notables, and
slips of letters and of memoranda in a long glass case.
‘That is one of his clay pipes,’ said the matron. ‘He had them all sent
through to him from Glasgow. And that is the pen with which he wrote
_Frederick_.’
It was a worn, stubby old quill, much the worse for its monstrous task.
It at least of all quill pens might rest content with having done its
work in the world. Some charred paper beside it caught Frank’s eye.
‘Oh look, Maude,’ he cried. ‘This is a little bit of the burned _French
Revolution_.’
‘Oh, I remember. He lent the only copy to a friend, and it was burned by
mistake.’
Public-domain text, read in full here on John Shaqi.
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