American fiction -- 19th century; Artists -- Fiction
Occasionally, when the artist's face was turned away so that she
obtained a good profile view of it, Stanton observed her looking
at him with an expression which both puzzled and troubled him. She
seemed to forget everything and every one, and to gaze for a moment
with a wistful, longing intensity that he would give his fortune
for were the glance directed toward himself. And yet when Van Berg
addressed her, sought her society, met her suddenly, there was no
heightening of color, nor a trace of the "sweet confusion" that is
usually inseparable from a new and growing affection in a maiden's
heart.
Apart from this occasion, furtive, and wistful look during which
her cheeks would grow pale and she appear for the moment oblivious
of present surroundings, her manner toward the artist was as frank
and natural as toward any one else. It was evident that she liked
and respected him, but even his jealousy could not detect the
certainty of anything more.
But what was the tendency of Van Berg's mind toward her? That was
the question which troubled him more and more every day. From the
time of their parting on the previous Sabbath evening there had
been a growing reluctance on the part of each to speak of one who
so largely occupied the thoughts of both. The old jest and banter
about the "school ma'am" ceased utterly, and they mentioned her only
occasionally as "Miss Burton." The old frank confidence between
them diminished daily, and in their secret consciousness they began
to recognize the fact that they might soon become open rivals.
The attitude of Van Berg toward the young stranger who had so deeply
interested him from the first hour of their meeting, was peculiar
but characteristic. His reason approved of her. Never before
had he met a woman who had seemed endowed with so many attractive
qualities. She was not beautiful,--a cardinal virtue with him--but
her face often lighted up with something so near akin to beauty
as to leave little cause to regret its absence and the conviction
grew upon him that the spirit enshrined within the graceful and
fragile form was almost perfection itself.
It became clearer to him every day that some deep experience or
sorrow has so thoroughly refined away the dross of her nature as
to make her seem the embodiment of truth and purity. What though
she still maintained complete reticence as to the past, avoiding
in their conversation all allusion to herself, as far as possible;
he still, in his inmost soul, knew he could trust her, and that
while her smiling face, like the sunlit rippling surface of mountain
lakes not far away, might hide dark, silent depths, it concealed
nothing impure.
Public-domain text, read in full here on John Shaqi.
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