American fiction -- 19th century; Artists -- Fiction
But, in bringing the revelation, it happened he had so deeply
wounded her pride, that she had assured herself, again and again,
she would hate his very name as long as she lived. Did she hate him
as she saw him absorbed in conversation with Miss Burton whenever
he could obtain the opportunity? Did she hate him as she saw that
his eyes consciously avoided her and rested approvingly on another
woman? Were hate and love so near akin? Could the belief that he
despised her make her so wretched if she only hated him?
During the early part of the present week she had struggled almost
fiercely to retain her hold on her old life. Uniting herself to a
clique of thoughtless young people, who made amusement and excitement
their only pursuit, she seemed to be the gayest and most reckless
of them all, while her heart was sinking like lead. Every glance
toward the cold, averted face of the artist, inspired her with more
than his own scorn toward what she was and the frivolities of her
life. She tried to shut her eyes to the truth, and clung desperately
to every impeding trifle; but felt all the time that an irresistible
tide of events was carrying her toward the revelation that she
loved a man who despised her, and always would despise her.
And on this night, when she saw their dim forms and heard their low
tones as Miss Burton and Van Berg talked earnestly on the farther
end of the piazza; when she saw that they grasped hands in parting,
and noted the rapt look upon his face as he passed her by uncaringly
and unnotingly--the revelation came. It was as sharply and painfully
distinct as if he had stopped and plunged a knife into her heart.
With all her faults and follies, Ida had never been a pale shadowy
creature, full of complex psychological moods which neither she
nor any one else could untangle. She knew whom and what she liked
and disliked, and it was not her nature to do things by halves.
There had always been a kind of simplicity and straightforwardness
even in her wickedness; and she usually seemed to people quite as
bad, and indeed worse, than she really was.
Why of all others she loved this man, and how it all had come about,
was a mystery that puzzled her sorely; but she had no labyrinthine
heart in which to play hide and seek with her own consciousness.
And so vividly conscious was she now of this new and absorbing
passion, that she hastily turned her face from her companions toward
the cloudy sky, that looked as dark to her as it had to Jennie
Burton, and for a moment sought desperately to recover from a dizzy,
reeling sense of pain that was well-nigh overwhelming. Then the
womanly instinct to hide her secret asserted itself, and a moment
later her laugh jarred discordantly on Van Berg's ears, and he
interpreted it as wisely as have thousands of others who fail to
recognize the truth that often no cry of pain is so bitter as a
reckless laugh.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account