American fiction -- 19th century; Artists -- Fiction
What was more, he was puzzled at himself. The sympathy he felt
for Miss Burton the previous evening had not by any means left him,
but it was no longer a strong and absorbing emotion. His pulse
was as calm and quiet as the breathless summer morning. He was
conscious of no premonitory chills and thrills, which, according to
his preconceived notions of the "grand passion," ought to be felt
even in its incipiency. He even found himself criticising her
face, and wondering how features so ordinary in themselves could
combine in so winning and happy an effect; and then he mentally
cursed his cold-bloodedness, and positively envied Stanton in whose
manner, in spite of his efforts at concealment, an ardent affection
began to manifest itself.
During the day it occurred to him more than once that her course
was changing toward Stanton. There was no less return on her part
of his light bantering style of conversation. Indeed, she seemed
to take great pains to give a humorous twist to everything he said,
as if she regarded even the words in which he tried to unfold his
deeper thoughts as mere jests. But Van Berg imagined she began to
make herself more inaccessible to Stanton. She entrenched herself
among other guests in the parlor; she took pains to be so occupied
as to make him feel that his approach would be an interruption; and
whenever they did meet at the table and elsewhere, it appeared as
if she were trying to teach him by a smiling, friendly indifference
that he was not in her thoughts at all.
The positive coldness and aversion Ida sought to manifest toward Van
Berg would not have been so disheartening as Miss Burton's device
of seeming to be so agreeably preoccupied with other people that
she could not or would not see the offering Stanton was eager to
lay at her feet.
Public-domain text, read in full here on John Shaqi.
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