American fiction -- 19th century; Artists -- Fiction
He had given but little thought to her for the past two days, and
indeed had rarely seen her. She had managed to take her meals when
he was not present, and on one or two occasions had had them sent
to her room, pleading illness as the reason. Indeed her flagging
appetite and altered appearance did not make much feigning on her
part necessary.
She had evidently heard the conversation just narrated; and she
believed that Van Berg had echoed the child's belief in regard to
Miss Burton more in truth than in jest.
The ruling passion of the artist was aroused. A plain woman might
have looked unutterable things, and he would have passed on with a
shrug, or but a thought of commiseration. But that oval, downcast
face followed him. Its sadness and pain interested him because
conveyed to his eye by a perfect contour.
"Was it a trick?" he thought, "or a fortuitous combination of the
features themselves, that enabled them to express so much! It must
be so, for surely the shallow coquette had not much to express."
"A plague on the perversity of nature," he exclaimed, "to give the
girl such features. If Jennie Burton had them, she would be the
ideal woman of the world."
The practical result, however, was that he half forgot during dinner
that she was "the best woman that ever lived" in his furtive effort
to study Ida's face in its present aspect; and that he also spent
most of the afternoon in his room sketching it from memory.
Chapter XXII. A Vain Wish.
As the witch-hazel is believed to have the power of indicating
springs of water however far beneath the surface, so Miss Burton,
by a subtle affinity, seemed to become speedily conscious of the
sorrows and troubles of others, even when sedulously hidden from
general observation.
She discovered that something was amiss with Ida almost as soon as
did the troubled girl herself; but for once her quick perception
of causes failed her. She had explained Ida's apparent antipathy
to Van Berg on the ground of the natural resentment of a frivolous
society girl toward the man who had, by his manner and character,
asked her to think and be a woman. It appeared to her, from her
limited acquaintance, that Ida was developing into the counterpart
of her mother; and for such a person as Mrs. Mayhew, Van Berg could
never have anything more than polite toleration.
Miss Burton was aware that the artist's manner toward Ida had
indeed been humiliating. During the previous week he had sought
her society; but in the emphatic language of his action, he had
almost the same as said of late:
"Even for the sake of your beauty I cannot endure your shallowness
and moral deformity."
Little wonder that the flattered belle should feel hate or at least
spite toward the man who had virtually given her such a stinging
rebuke.
Public-domain text, read in full here on John Shaqi.
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