American fiction -- 19th century; Artists -- Fiction
"He was never my friend--never more than an acquaintance," he
said emphatically, "and I never before knew him as well as I do
now. Moreover, I may as well say it plainly, I am through with
that style of men, forever. There is little prospect of my ever
becoming saint-like, but I shall, at least, cease to be vulgar in
my associations. I protest against Sibley's coming to our table
again."
"You are absurdly unreasonable," replied Mrs. Mayhew in an aggrieved
tone. "Sibley is only sowing his wild oats now as you did in the
past. I don't know why he is not as good as your friend Mr. Van
Berg, who, as far as I can make out, is more of an infidel than
anything else. I never could endure these doubting, unsettling
people."
"I admit that Sibley is established," said Stanton. "There is
little prospect of his ever getting out of the mire in which he is
now imbedded."
"Nonsense! What has Sibley done that is particularly out of the
way, more than you and other young men? I'm sure his family is
quite as rich and fashionable as that of this artist."
"More rich and fashionable. There is just the difference between
the Sibleys and the Van Bergs that there is between a drop curtain
at a theatre and one of Bierstadt's oil paintings. There is more
paint and surface in the former, but truth and genius in the latter.
If you prefer paint and surface it is a matter of taste."
"I won't endure such insinuations from you," said Mrs. Mayhew,
indignantly.
"Oh, hush mother!" said Ida, quietly. "I think Ik is very magnanimous
in praising his friend in view of circumstances that are becoming
quite apparent. Possibly he is exaggerating a little, in order to
show us what a great, generous soul he has. For one, I would like
to know wherein this superior race of Van Bergs differs from those
who have had the presumption to suppose themselves at least equals."
Ida's allusion and tone stung Stanton into saying more than he
intended, and thus the girl's artifice became successful. Hearing
about Van berg and all that related to him was like looking out of
a desert into a fruitful oasis; and yet cruel as was the fascination,
it was also irresistible.
Public-domain text, read in full here on John Shaqi.
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