American fiction -- 19th century; Artists -- Fiction
Her heart had so suddenly and thoroughly betrayed her, that she
was overwhelmed with a sense of helplessness and perplexity. The
spoiled and flattered girl had always been accustomed to have her
own way. Self-gratification had been the rule and habit of her
life. If Van Berg had only admired and complimented her, if he
had joined the honeyed chorus of flattery that had waited on her
sensuous beauty, his voice would probably have been unheeded and
lost among many others. But his sharp demand for something more
than a face and form had awakened her, and to her dismay she learned
that her real and lasting self was as dwarfed and deformed as her
transient and outward self was perfect.
The artist seemed to her princely, regal even, in his strong
cultivated manhood, his lofty calling and ambition, and his high
social rank. As for herself, it now appeared that her beauty,
whose spell she had thought no man could resist, had lured him to
her side only long enough to discover what she was and who she was,
and then he had turned away in disgust.
From their first moment of meeting, she felt that she had been
peculiarly unfortunate in the impressions she had made upon him.
Her attendant at the concert-garden had been a fool; and now he
was associating her with a man whom he more than despised. She
believed that he pitied her father as the victim of a wife's
heartlessness and a daughter's selfishness and frivolity, and that
he felt a repugnance toward her mother which his politeness could
not wholly disguise. He was probably learning to characterize them
in his mind by her father's horrible words--"froth and mud."
Such miserable thoughts were flocking round her like croaking
ravens as she sat rigid and motionless in her room, her form tense
from the severity of her mental distress. Suddenly Sibley's loud
tones, and her cousin's voice in reply, caught her attention, and
she opened the lattice of the blinds. She had scarcely done so
before she saw Stanton strike the blow which had felled Sibley to
the earth.
With breathless interest she watched the scene till Van Berg
stepped forward. Then she sprang to a drawer, and taking out a
small field-glass which she carried on her summer excursions was
able to see the expression of the young men's faces, although she
could not distinguish their words. The stern, menacing aspect
of the artist made her tremble even at her distance, and it was
evident that his words were throwing Sibley into a transport of
rage; and when in his passion he tried to shoot Van Berg, she could
not repress the cry that attracted their attention.
Public-domain text, read in full here on John Shaqi.
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