American fiction -- 19th century; Artists -- Fiction
Van Berg made a gesture of contempt, but said to his friend:
"Stanton, I'm sorry for you. Such trouble as this would cut
me deeper than any other kind. If I can do anything to help you,
count on me. I'm in the mood myself to shoot Sibley, for he has
spoiled for me the fairest face that evil ever perverted."
Van Berg did not sketch Ida Mayhew's face that afternoon. On the
contrary, he resolutely sought to banish her image from his mind.
When last he saw that face, it seemed made of Parian marble. Now
it rose before him so blackened and besmirched that he thought of
it only with anger and disgust.
Ida kept herself so secluded in the afternoon that Stanton could
not find her, but this very seclusion, which the poor girl sought
in order to hide her wounds, only increased his own and Mrs. Mayhew's
fears deepened their suspicions.
She was a little late in appearing at the super-table, for her
return from the wanderings of the afternoon had required more time
than she supposed. She was very weary; moreover, the hours spent
in solitude with nature had quieted her overstrung nerves. The
sun had shone upon her, though the world seemed to frown. Flowers
had looked shyly and sweetly into her face as if they saw nothing
there to criticise. She had plucked a few and fastened them into
her breast-pin, and their faint perfume was like a low, soothing
voice. She was in a softened and receptive mood, and a kind word,
even a kind glance, might have tuned the scale in favor of better
thoughts and better living.
But she did not receive them. Her coming to the table was greeted
with an ominous silence, for each one was conscious of thoughts
so greatly to her prejudice that they scarcely wished to meet her
eye. Mrs. Mayhew looked excessively worried and anxious. Stanton
was flushed and angry. The artist was icy as he only knew how to
be when he deemed there was sufficient occasion; and in his opinion,
the presence of the prospective and willing bride of the man who
had attempted his life, and, what was far worse, insulted the woman
he most honored, was occasion, indeed.
From time to time he gave her a cold, curious glance, as one might
look at some strange, abnormal thing for which there is no accounting;
but his slight scrutiny was no longer furtive. He looked at her
openly as he would at an OBJECT, and not at a woman whose feelings
he would not wound for the world. His thought was: "A creature
akin to Sibley deserves no consideration, and can put in no just
claim for delicacy."
Indeed he felt a peculiar vindictiveness towards her to-night, because
she had so thwarted him, and was about to carry her extraordinary
dower of beauty to the moral slough that seemingly awaited
her. Therefore, his glance swept carelessly over her with a cold
indifference that chilled her very soul.
Public-domain text, read in full here on John Shaqi.
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