American fiction -- 19th century; Artists -- Fiction
Van Berg soon observed that many others besides himself were observing
Miss Mayhew. She seemed to fascinate, perplex, and trouble all
who looked towards her. The singular beauty and striking toilet
might account, in part, for the lingering glances, but not for the
perplexity and uneasiness they caused. If Ida had been dead her
features could not have been more colorless; and they had a stern,
hard, desperate expression that was sadly out of harmony with what
should be the appearance of a happy young girl.
Her presence seemed to cause an increasing chill and restraint.
The healthful and normal minds of those about her grew vaguely
conscious of another mind that had been deeply moved, shaken to
its foundations, and so had become almost abnormal and dangerous
in its impulses.
There is a very general tendency both to observe and to shrink
from that which is unnatural, and if the departure from what is
customary is shown in unexpected and unusual mental action, the
stronger become the uneasiness and dread in those who witness it.
All who saw Ida recognized that she was not only unlike herself,
but unlike any one in an ordinary state of mind, and people who were
intimate looked at each other significantly, as if to ask--"What
is the matter with Miss Mayhew? What is the matter with us all?"
Were it not that the maiden occasionally turned a leaf, in order
to keep up the illusion that she was reading, she might have been
a statue, so motionless was her form, and so pallid her face.
But she felt that she was perplexing and troubling those who had
wounded her, and the consciousness gave secret satisfaction. Her
past experience taught her to appreciate stage effect, and, since
she meditated a tragedy, she proposed that everything should be as
tragic and blood-curdling as possible.
There is usually but a short step between high tragedy and painful
absurdity, which exasperates us while we laugh at it; but poor
Ida's thoughts were so desperately dark and despairing, and her
exquisite features, made almost transparent by grief and fasting,
so perfectly interpreted her unfeigned wretchedness, that even those
who knew her but slightly were touched and troubled in a way that
they could not explain even to themselves.
Miss Burton was evidently meditating how she could approach Ida,
who seemed encased in a repellant atmosphere. Van Berg saw that
Stanton looked anxious and perplexed, and that Mrs. Mayhew was
exceedingly worried and annoyed. At last he hastily approached
her daughter and whispered,
"For heaven's sake, Ida, what's the matter? You look as if you
had gone into mourning."
The young lady glanced coldly up and said stonily:
"You have at least taught me to dress appropriately."
"Nonsense," continued the mother, in a low, irritable tone. "Why
can't you cheer up and act like other people? Don't you see you're
giving us all the shivers?"
Public-domain text, read in full here on John Shaqi.
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