American fiction -- 19th century; Artists -- Fiction
"I take your hand, Miss Mayhew," he said earnestly, "not as a sign
of truce between us, but as a token of forgiveness, and the pledge
of reconciliation and friendship. Your brave truth-telling to-night
has atoned for your past. Please give me a chance at least to try
to atone for mine."
His only reply was a faint pressure from her hand and then she sped
up the stairway. He did not see her again till she came down to
breakfast the following morning, when she treated him with a quiet,
distant, well-bred courtesy that did not suggest the sobbing girl
who had fled from him the evening before, much less the despairing,
desperate woman who had given him the drug with which she had
intended to end her existence. They who see conventional surfaces
only know but little of life.
Truthful as she was trying to be, she was puzzling him more than
ever, although he was giving a great deal of thought to the problem.
Chapter XLIII. A "Heavenly Mystery."
While Ida's manner at the breakfast-table was quiet and self-possessed,
she still maintained the same distant bearing which had been
characteristic the evening before. It was evident to Van Berg,
however, that pride, wounded vanity, and resentment were no longer
the motives for the seclusion in which she sought to remain, even
while under the eyes of others. It was the natural shrinking of
one who would hide weakness, trouble, and imperfection. It was
the bearing of one who had been deeply humiliated, and who was
conscious of a partial estrangement towards those having a knowledge
of this humiliation. Thus far he could understand her; and in the
proportion she was depressed and withdrew from social recognition
and encouragement, his sympathy and respect were drawn out towards
her.
"She is not trivial and superficial, as I supposed," he thought
twenty times that morning. "There is not a sudden calm after
the storm that has been raging, as would be the case were she in
character like a shallow pool. Her manner now proves daily the
largeness of the nature that has been so deeply moved, and which,
like the agitated sea, regains its peace but slowly;" and the sagacious
Van Berg, whose imagination was not under very good control began
to react into the other extreme, and query whether Ida Mayhew's
moral nature, now that it was aroused, was not her chief characteristic.
Meanwhile, the subject of his many-colored speculations had driven
away in the low basket phaeton, having first explained briefly to
her mother that she intended to spend the morning again with the
two old people she had visited the previous day.
Stanton volunteered this amount of information to his friend, and
there was much surmise and curiosity in their minds in regard to
these "old people," and her motive in seeking them. But even Mrs.
Mayhew had begun to realize that they must take Ida at her word
and leave her to herself.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account